Haitian American • Haitian History • Haitian Leaders

Haitian Descendant Of Joseph Laroche “Only Black & Haitian Man On Titanic” Speaks Out

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MARLIE ALBERTS and her 11-year-old daughter Malkiah are descendants of the only black man on the Titanic when the British luxury liner sank on April 14, 1912.

Two years ago, I remember reading and finding out that the only black family aboard the Titanic ship on April 10, 1912 was a Haitian Engineer name Joseph Lemercier Laroche and his family. I was so drawn to the family, I read everything I could find about it and missed this story. A year ago a story was published about a descendant of the Laroche family who said she is determined to keep the memory of her ancestors alive, giving them their rightful place in history and after reading this article, I hope she is able to get her family’s story on the big screen one day.

According to ClevalandBanner,

Marlie Alberts said she is a descendant of the Haitian-born, French-educated black man, Joseph Laroche, whose maiden voyage on the Titanic is well-documented but remains obscure to the general public. Laroche was traveling with his pregnant wife, Juliette Lafargue, and their two young daughters, Simonne and Louise. His wife and children survived the Titanic disaster, but Laroche did not. His body was never found.

Alberts said the true love story between her interracial ancestors on the doomed luxury liner would make for a thrilling and romantic fact-based drama that would restore her family’s rightful place in history and raise awareness about the plight in Haiti today — two missions she is committed to.

The Haitian-American mother has turned her literary research into a fact-based screenplay and is preparing to shop it to TV networks as a three-part miniseries with all the earmarks of a ratings winner based on the Titanic’s popularity in films, plays, art and song.

Alberts, who is also an actress, said, “I want everybody to know that the Titanic was going to Haiti, and there was a black man on board who wasn’t a slave or waiter or servant.”

Last year the Ch

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icago Tribune interviewed Alberts’ cousin, Christine LeBrun, who explained that in August of 2000, her uncle’s wife was in a beauty salon looking through the June issue of Ebony magazine when she came across the article, “What happened to the Only Black Family on the Titanic.” In the article she saw a photo of Laroche and said, “Oh, my gosh, that man looks just like my husband!”

Marlie Alberts’ Haitian father, Robert Richard, stated in an interview that Laroche was supposed to be his last name, but because his father never married his mother, she did not give her children his name. After tracing their family tree, Alberts said she discovered that Joseph Laroche was their ancestor. Read more: Cleveland Daily Banner – A dark area rising on the Titanic

The April 10, 2012, Tribune reported, “LeBrun’s aunt took the magazine home and showed Laroche’s photograph to her husband, Robert Richard. He wasn’t certain whether the picture looked like him, but he did recognize the last name. He said, ‘My real last name was supposed to be Laroche, but because my father never married my mother, we never took his name.’”

That’s when Richard, who is from Haiti, called his daughter Marlie Alberts, who did her own investigation and learned that Laroche is her seventh great-grandfather’s nephew in the line of their family tree. She said she also discovered Laroche was the nephew of the 21st president of Haiti, Cinninatus LeConte, who was the great-grandson of the first emperor of Haiti, which is another reaso

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n for her telling the story.

Titanic historian Judith Geller, author of “Titanic: Women and Children First,” was quoted in the June 2000 Ebony article as saying, “It is strange that nowhere in the copious 1912 press descriptions of the ship and the interviews with the survivors was the presence of a Black family among the passengers ever mentioned.”

Now that the truth is out, Alberts said she is delighted that more people are coming to know about her ancestor who grew up in a well-to-do Haitian family and was returning home with his new family due to a lack of employment.

Haitian-born, French-educated black man, Joseph Laroche was traveling with his pregnant wife, Juliette Lafargue, and their two young daughters, Simonne and Louise on the Titanic when it struck an iceberg and sank on April 12, 1912. His wife and children survived but Laroche did not. His body was never found. Read more: Cleveland Daily Banner – A dark area rising on the Titanic

The Ebony article quoted the renowned Titanic historian as saying, “It was a great disappointment to him that having earned his engineering degree in France he could not find employment there. No matter how qualified he was, the blackness of his skin kept him from securing a position that paid his worth.”

Official recognition also came from the Titanic Historical Society, which chronicled the life of Laroche, born May 26, 1886, in the northern part of Haiti called Cap-Haïtien.

The Titanic Historical Society said in part, “The boy grew up in the city and being a good pupil, in 1901 at the age of 15, Joseph decided that he wanted to study engineering. There was no school for such in Haiti so he went to France traveling with a teacher, Monseigneur Kersuzan, the Lord Bishop of Haiti.

“The young man settled in Beauvais, where the engineering school was located and shared quarters with the Monseigneur. He had lessons in Beauvais and Lille, and being a serious pupil, his marks were good and Joseph was a promising student. Monseigneur Kersuzan planned to visit a friend who lived near Paris; the young student promptly accepted his invitation to accompany him. Monsieur Lafargue, a wine seller lived in Villejuif. His daughter, Juliette was born October 20, 1889. Madame Lafargue died early at age 40 a few years before. Joseph and Juliette soon became friends, fell in love and decided to marry.

“Joseph graduated from school and got his certificate. In March 1908 they were married at the Lafargue home. It was a special event; the Lafargues were upper middle class and marrying an only daughter was a very serious matter for the family. When Joseph graduated he expected to find employment as an engineer, [and] there were opportunities in Paris for someone with his education, however, there was a problem he had not thought of. Although France is a pretty country with beautiful scenery, marvelous cities and nice people, racial prejudice at that time could prevent someone from employing a young dark-skinned man. Joseph did find work, but his employers made excuses that he was young and inexperienced and paid him poorly.

“A year later the young couple celebrated the birth of their first daughter, Simonne, on Feb. 19, 1909. On July 2, 1910, Louise was born, she was premature and frail, suffering from many medical problems in her first years. Joseph had to find a better paying job to support his children who were very important to him. In 1911 he decided to return to Haiti where there surely was a need for qualified young engineers.

The RMS Titanic embarked on its maiden voyage on April 10, 1912, sailing from Southampton, England, to New Yor

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k City. One of the largest passenger liners at the time, the luxurious Titanic was also considered unsinkable by many. But on April 14, it struck an iceberg, and early the next day it sank, taking down some 1,500 people. Read more: Cleveland Daily Banner – A dark area rising on the Titanic

“The country was far from modern, there would be great opportunities and his family could have a better standard of living. He wasn’t sure if Juliette would accept leaving behind her family, friends and a familiar country to move where she had never been before. Literally at the other end of the world, where things would be so different. They talked the matter over and she finally accepted. Travel to Haiti was planned for the next year.”

According to reports, Laroche’s mother had sent the family first-class tickets to travel on a French liner. But before its departure, the Laroches discovered there would be a seating and dining problem for the interracial family. Out of concern for their youngest daughter, who was sickly, they traded their tickets for second-class tickets on the Titanic.

It was April 10, 1912, when the Laroche family boarded the R.M.S Titanic at Cherbourg, France. As a Royal Mail Ship, t

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he largest passenger liner of its time was also responsible for delivering mail for the British postal service. When the Laroche family stepped on the British luxury liner some passengers were reportedly less than happy with their company and made derogatory comments to Laroche, who spoke fluent French and English. Continue Reading  Cleveland Daily Banner – A dark area rising on the Titanic 

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  • Wow im haitian great website, I enjoyed the story about the titanic family. It would be a great movie, I had goose bumps reading it.

  • This makes for a very good historic documentary, but I am not sure about movie. God luck! Alberts may be a relative of Joseph Laroche, but is not a direct descendant. Her dad looks a lot like him, but is not his child. Joseph Laroche’s daughters never went back to Haiti after they were rescued, and they had no progeny.

  • I’ve tried on several occasions to get in touch with someone in this family. I am the daughter of Herman O. LaRoche. He’s now 89 and I would love to tell him more about his family tree.

  • I am a Laroche as well. My father’s father was a Laroche but because he was born out of wedlock, he was not recognize by the family. Check out his pic on my facebook. He definitely looks like one.

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  • Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠
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Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠
⁠
On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠
⁠
For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠
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Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠
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  • American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
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Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
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The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
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The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
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U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
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American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
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  • Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
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Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
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Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
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📸 @verdyverna ⁠
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  • Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition
Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead.
During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies.
At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions.
While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture.
For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations.
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  • New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
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“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
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Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
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Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
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Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
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#lunionsuite #haitianamerican
  • At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
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  • Burna Boy made history on October 29 as the first African artist to perform at Apple Music Hall, Apple’s new 600-capacity live music venue inside London’s iconic Battersea Power Station.⁠
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The intimate venue, which opened just weeks earlier, is designed to bring artists and audiences closer together, featuring advanced Spatial Audio technology.One of the night’s standout moments came during his performance of “4 Kampé II,” his collaboration with Haitian artist Joé Dwèt Filé. A large Haitian flag was displayed behind Burna Boy as he performed the track, with dancers and his full band bringing the song to life. The visual tribute and performance offered a moment of recognition for Haitian fans, who have embraced the collaboration.⁠
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The London performance came just four days after Burna Boy brought “4 Kampé II” to the international stage at the NFL Paris Game halftime show on October 25 at Stade de France. On that occasion, he invited Joé Dwèt Filé to join him, giving the two artists an opportunity to perform their collaboration together.⁠
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With “4 Kampé II” continuing to feature in Burna Boy’s live performances across international stages, the collaboration has become a notable part of his setlist. Rooted in Haitian konpa, the song represents a musical connection between two artists and continues to introduce Haitian sounds to audiences around the world.⁠
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  • Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
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The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
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The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
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Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
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#lunionsuite #haitianamerican #haitian
  • American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠
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The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠
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Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠
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Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠
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For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠
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American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠
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  • On Wednesday, October 28, during her My Life, My Story residency at Dolby Live at Park MGM in Las Vegas, Mary J. Blige surprised the crowd by bringing @WyclefJean onstage for a performance of their 2000 hit collaboration “911.” 
Blige and Wyclef traded verses and chorus lines as the stage glowed in red and orange LED visuals with atmospheric smoke. The audience, phones raised, captured the energetic reunion of the two longtime collaborators.⁠
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“911,” from Wyclef’s 2000 album The Ecleftic: 2 Sides II a Book, peaked in the Top 40 on the Billboard Hot 100 and remains one of their best-known joint tracks, blending R&B, hip-hop, and Caribbean influences. Bringing it back live during Blige’s first-ever Las Vegas residency added a nostalgic, high-energy highlight to an already memorable night that also included her direct response to a heckler.⁠
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This viral clip captures both the unfiltered stage presence the Queen of Hip-Hop Soul is known for and the seamless chemistry between her and Wyclef on one of their signature songs.⁠
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#lunionsuite #haitianamerican #haitian
  • An ICE arrest of a Haitian poultry plant worker in Temperanceville, Virginia, has spread fear among the immigrant workforce at a Tyson Foods facility and across the Delmarva Peninsula. Agricultural groups are now warning that the administration’s enforcement operations threaten the nation’s food production and grocery prices.⁠
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According to @NYTimes, on August 18, ICE agents arrested Frandrich Pierre, a Haitian asylum seeker who held a valid work permit, outside the Tyson Foods plant. Pierre had worked there for two years sorting chicken parts for $21 an hour. He was later released and has an upcoming asylum hearing. The arrest, captured on video by coworkers, prompted many Haitian workers to stop reporting to work out of fear.⁠
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The revocation of Temporary Protected Status for Haitians has led ICE to arrest people who had been living and working in the U.S. legally. The Delmarva Peninsula, spanning parts of Delaware, Maryland, and Virginia, is a major poultry processing hub for large producers including Tyson, Perdue, and Mountaire. These companies have long relied on Haitian labor and, in some cases, offered to sponsor work visas and permanent residency. Now, many workers are staying home or going into hiding, leaving plants short-staffed.⁠
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While ICE has not conducted raids inside the poultry plants themselves, workers told The New York Times that companies are scrambling to hire and train replacements. None of the three major producers, Perdue, Mountaire, or Tyson, commented on the impact. Tyson has issued letters for employees to carry that ask law enforcement to “allow our team member to come to work” and state that their work is “crucial to Tyson’s continuing operations.” ⁠
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Last week, a coalition of food industry groups warned President Trump that the immigration crackdown is affecting the nation’s food supply. At a protest in Salisbury, Maryland, residents said companies are not doing enough to protect longtime immigrant employees, some of whom have worked at the plants for decades. As ICE continues deportations to Haiti, workers are being returned to a country in crisis.⁠
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Source: New York Times ⁠
#lunionsuite #haitianamerican #haitia
  • Javits Frimpong, a quiet 15-year-old who left Ghana for a brighter future in New York just one year ago, was fatally shot Thursday morning steps from his Bronx home as he walked to school. His father says he knows who is responsible and points to recent bullying that led to suspensions.
On Thursday, October 29, around 9:24–9:30 a.m., Javits Frimpong was ambushed in the Claremont section of the Bronx, just one block from the apartment he shared with his father. The tenth-grader at DreamYard Preparatory School was struck once in the abdomen. 
Surveillance video captured him running for his life as at least one person in black pursued him; he managed to run about a block before collapsing. Officers from the NYPD’s 42nd Precinct, responding to a 911 call, did not wait for an ambulance. They placed the injured teen in a patrol car and rushed him to St. Barnabas Hospital. He was initially listed in stable condition after surgery but died a short time later.
Police say Frimpong was the intended target. They are searching for three teenage males, described as wearing black clothing or sweatsuits and blue surgical masks, who fled the scene toward Crotona Park or Fulton Avenue. No arrests have been made, and investigators have not publicly confirmed a motive. 
Thomas Frimpong, 60, a yellow cab driver who has lived in New York since around 2000, brought his son from Ghana approximately one year earlier so the boy could pursue better opportunities. Javits’s mother remains in Ghana. The day before the shooting marked roughly the one-year anniversary of Javits’s arrival. 
Frimpong believes the killing is connected to bullying at school. He says the principal contacted him about three days earlier to report that two students had been bullying Javits and were suspended for a week. School officials told him Javits was innocent and had only been defending himself.
This loss has shaken not only the Ghanaian community but immigrant families of every background who understand the sacrifices made to give children a better life in America. Our community extends its deepest condolences and solidarity.  Rest in perfect peace, Javits. 
🎥 Pix11 ABC7
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Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠
⁠
Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠
⁠
On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠
⁠
For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠
⁠
Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠
⁠
#lunionsuite #haitianamerican
Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠ ⁠ Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠ ⁠ On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠ ⁠ For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠ ⁠ Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠ ⁠ #lunionsuite #haitianamerican
35 minutes ago
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1/12
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠ ⁠ Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠ ⁠ The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠ ⁠ The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠ ⁠ U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠ ⁠ American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠ ⁠ #lunionsuite #haitianamerican #haitian
1 hour ago
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2/12
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠ ⁠ Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠ ⁠ Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠ ⁠ 📸 @verdyverna ⁠ #lunionsuite #haitianamerican #haitian
2 hours ago
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3/12
Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition
Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead.
During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies.
At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions.
While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture.
For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations.
#lunionsuite #haitianamerican
Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead. During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies. At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions. While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture. For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations. #lunionsuite #haitianamerican
6 hours ago
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4/12
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠ ⁠ “The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠ ⁠ Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠ ⁠ Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠ ⁠ Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠ ⁠ #lunionsuite #haitianamerican
19 hours ago
View on Instagram |
5/12
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
#lunionsuite
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
#lunionsuite
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave. Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit. “Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome. Addressing the musical moment, he wrote: “Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music. Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door. 🎥 @Naishaazorr Janellesimonee1/Tiktok #lunionsuite
20 hours ago
View on Instagram |
6/12
Burna Boy made history on October 29 as the first African artist to perform at Apple Music Hall, Apple’s new 600-capacity live music venue inside London’s iconic Battersea Power Station.⁠ ⁠ The intimate venue, which opened just weeks earlier, is designed to bring artists and audiences closer together, featuring advanced Spatial Audio technology.One of the night’s standout moments came during his performance of “4 Kampé II,” his collaboration with Haitian artist Joé Dwèt Filé. A large Haitian flag was displayed behind Burna Boy as he performed the track, with dancers and his full band bringing the song to life. The visual tribute and performance offered a moment of recognition for Haitian fans, who have embraced the collaboration.⁠ ⁠ The London performance came just four days after Burna Boy brought “4 Kampé II” to the international stage at the NFL Paris Game halftime show on October 25 at Stade de France. On that occasion, he invited Joé Dwèt Filé to join him, giving the two artists an opportunity to perform their collaboration together.⁠ ⁠ With “4 Kampé II” continuing to feature in Burna Boy’s live performances across international stages, the collaboration has become a notable part of his setlist. Rooted in Haitian konpa, the song represents a musical connection between two artists and continues to introduce Haitian sounds to audiences around the world.⁠ ⁠ #lunionsuite #haitianamerican #haitian
21 hours ago
View on Instagram |
7/12
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠ ⁠ The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠ ⁠ The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠ ⁠ Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠ ⁠ #lunionsuite #haitianamerican #haitian
23 hours ago
View on Instagram |
8/12
American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠
⁠
The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠
⁠
Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠
⁠
Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠
⁠
For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠
⁠
American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠
⁠
American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠ ⁠ The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠ ⁠ Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠ ⁠ Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠ ⁠ For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠ ⁠ American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠ ⁠
1 day ago
View on Instagram |
9/12
On Wednesday, October 28, during her My Life, My Story residency at Dolby Live at Park MGM in Las Vegas, Mary J. Blige surprised the crowd by bringing @WyclefJean onstage for a performance of their 2000 hit collaboration “911.” Blige and Wyclef traded verses and chorus lines as the stage glowed in red and orange LED visuals with atmospheric smoke. The audience, phones raised, captured the energetic reunion of the two longtime collaborators.⁠ ⁠ “911,” from Wyclef’s 2000 album The Ecleftic: 2 Sides II a Book, peaked in the Top 40 on the Billboard Hot 100 and remains one of their best-known joint tracks, blending R&B, hip-hop, and Caribbean influences. Bringing it back live during Blige’s first-ever Las Vegas residency added a nostalgic, high-energy highlight to an already memorable night that also included her direct response to a heckler.⁠ ⁠ This viral clip captures both the unfiltered stage presence the Queen of Hip-Hop Soul is known for and the seamless chemistry between her and Wyclef on one of their signature songs.⁠ ⁠ #lunionsuite #haitianamerican #haitian
2 days ago
View on Instagram |
10/12
An ICE arrest of a Haitian poultry plant worker in Temperanceville, Virginia, has spread fear among the immigrant workforce at a Tyson Foods facility and across the Delmarva Peninsula. Agricultural groups are now warning that the administration’s enforcement operations threaten the nation’s food production and grocery prices.⁠
⁠
According to @NYTimes, on August 18, ICE agents arrested Frandrich Pierre, a Haitian asylum seeker who held a valid work permit, outside the Tyson Foods plant. Pierre had worked there for two years sorting chicken parts for $21 an hour. He was later released and has an upcoming asylum hearing. The arrest, captured on video by coworkers, prompted many Haitian workers to stop reporting to work out of fear.⁠
⁠
The revocation of Temporary Protected Status for Haitians has led ICE to arrest people who had been living and working in the U.S. legally. The Delmarva Peninsula, spanning parts of Delaware, Maryland, and Virginia, is a major poultry processing hub for large producers including Tyson, Perdue, and Mountaire. These companies have long relied on Haitian labor and, in some cases, offered to sponsor work visas and permanent residency. Now, many workers are staying home or going into hiding, leaving plants short-staffed.⁠
⁠
While ICE has not conducted raids inside the poultry plants themselves, workers told The New York Times that companies are scrambling to hire and train replacements. None of the three major producers, Perdue, Mountaire, or Tyson, commented on the impact. Tyson has issued letters for employees to carry that ask law enforcement to “allow our team member to come to work” and state that their work is “crucial to Tyson’s continuing operations.” ⁠
⁠
Last week, a coalition of food industry groups warned President Trump that the immigration crackdown is affecting the nation’s food supply. At a protest in Salisbury, Maryland, residents said companies are not doing enough to protect longtime immigrant employees, some of whom have worked at the plants for decades. As ICE continues deportations to Haiti, workers are being returned to a country in crisis.⁠
⁠
Source: New York Times ⁠
#lunionsuite #haitianamerican #haitia
An ICE arrest of a Haitian poultry plant worker in Temperanceville, Virginia, has spread fear among the immigrant workforce at a Tyson Foods facility and across the Delmarva Peninsula. Agricultural groups are now warning that the administration’s enforcement operations threaten the nation’s food production and grocery prices.⁠ ⁠ According to @NYTimes, on August 18, ICE agents arrested Frandrich Pierre, a Haitian asylum seeker who held a valid work permit, outside the Tyson Foods plant. Pierre had worked there for two years sorting chicken parts for $21 an hour. He was later released and has an upcoming asylum hearing. The arrest, captured on video by coworkers, prompted many Haitian workers to stop reporting to work out of fear.⁠ ⁠ The revocation of Temporary Protected Status for Haitians has led ICE to arrest people who had been living and working in the U.S. legally. The Delmarva Peninsula, spanning parts of Delaware, Maryland, and Virginia, is a major poultry processing hub for large producers including Tyson, Perdue, and Mountaire. These companies have long relied on Haitian labor and, in some cases, offered to sponsor work visas and permanent residency. Now, many workers are staying home or going into hiding, leaving plants short-staffed.⁠ ⁠ While ICE has not conducted raids inside the poultry plants themselves, workers told The New York Times that companies are scrambling to hire and train replacements. None of the three major producers, Perdue, Mountaire, or Tyson, commented on the impact. Tyson has issued letters for employees to carry that ask law enforcement to “allow our team member to come to work” and state that their work is “crucial to Tyson’s continuing operations.” ⁠ ⁠ Last week, a coalition of food industry groups warned President Trump that the immigration crackdown is affecting the nation’s food supply. At a protest in Salisbury, Maryland, residents said companies are not doing enough to protect longtime immigrant employees, some of whom have worked at the plants for decades. As ICE continues deportations to Haiti, workers are being returned to a country in crisis.⁠ ⁠ Source: New York Times ⁠ #lunionsuite #haitianamerican #haitia
2 days ago
View on Instagram |
11/12
Javits Frimpong, a quiet 15-year-old who left Ghana for a brighter future in New York just one year ago, was fatally shot Thursday morning steps from his Bronx home as he walked to school. His father says he knows who is responsible and points to recent bullying that led to suspensions.
On Thursday, October 29, around 9:24–9:30 a.m., Javits Frimpong was ambushed in the Claremont section of the Bronx, just one block from the apartment he shared with his father. The tenth-grader at DreamYard Preparatory School was struck once in the abdomen. 
Surveillance video captured him running for his life as at least one person in black pursued him; he managed to run about a block before collapsing. Officers from the NYPD’s 42nd Precinct, responding to a 911 call, did not wait for an ambulance. They placed the injured teen in a patrol car and rushed him to St. Barnabas Hospital. He was initially listed in stable condition after surgery but died a short time later.
Police say Frimpong was the intended target. They are searching for three teenage males, described as wearing black clothing or sweatsuits and blue surgical masks, who fled the scene toward Crotona Park or Fulton Avenue. No arrests have been made, and investigators have not publicly confirmed a motive. 
Thomas Frimpong, 60, a yellow cab driver who has lived in New York since around 2000, brought his son from Ghana approximately one year earlier so the boy could pursue better opportunities. Javits’s mother remains in Ghana. The day before the shooting marked roughly the one-year anniversary of Javits’s arrival. 
Frimpong believes the killing is connected to bullying at school. He says the principal contacted him about three days earlier to report that two students had been bullying Javits and were suspended for a week. School officials told him Javits was innocent and had only been defending himself.
This loss has shaken not only the Ghanaian community but immigrant families of every background who understand the sacrifices made to give children a better life in America. Our community extends its deepest condolences and solidarity.  Rest in perfect peace, Javits. 
🎥 Pix11 ABC7
#lunionsuite #haitianamerican
Javits Frimpong, a quiet 15-year-old who left Ghana for a brighter future in New York just one year ago, was fatally shot Thursday morning steps from his Bronx home as he walked to school. His father says he knows who is responsible and points to recent bullying that led to suspensions.
On Thursday, October 29, around 9:24–9:30 a.m., Javits Frimpong was ambushed in the Claremont section of the Bronx, just one block from the apartment he shared with his father. The tenth-grader at DreamYard Preparatory School was struck once in the abdomen. 
Surveillance video captured him running for his life as at least one person in black pursued him; he managed to run about a block before collapsing. Officers from the NYPD’s 42nd Precinct, responding to a 911 call, did not wait for an ambulance. They placed the injured teen in a patrol car and rushed him to St. Barnabas Hospital. He was initially listed in stable condition after surgery but died a short time later.
Police say Frimpong was the intended target. They are searching for three teenage males, described as wearing black clothing or sweatsuits and blue surgical masks, who fled the scene toward Crotona Park or Fulton Avenue. No arrests have been made, and investigators have not publicly confirmed a motive. 
Thomas Frimpong, 60, a yellow cab driver who has lived in New York since around 2000, brought his son from Ghana approximately one year earlier so the boy could pursue better opportunities. Javits’s mother remains in Ghana. The day before the shooting marked roughly the one-year anniversary of Javits’s arrival. 
Frimpong believes the killing is connected to bullying at school. He says the principal contacted him about three days earlier to report that two students had been bullying Javits and were suspended for a week. School officials told him Javits was innocent and had only been defending himself.
This loss has shaken not only the Ghanaian community but immigrant families of every background who understand the sacrifices made to give children a better life in America. Our community extends its deepest condolences and solidarity.  Rest in perfect peace, Javits. 
🎥 Pix11 ABC7
#lunionsuite #haitianamerican
Javits Frimpong, a quiet 15-year-old who left Ghana for a brighter future in New York just one year ago, was fatally shot Thursday morning steps from his Bronx home as he walked to school. His father says he knows who is responsible and points to recent bullying that led to suspensions.
On Thursday, October 29, around 9:24–9:30 a.m., Javits Frimpong was ambushed in the Claremont section of the Bronx, just one block from the apartment he shared with his father. The tenth-grader at DreamYard Preparatory School was struck once in the abdomen. 
Surveillance video captured him running for his life as at least one person in black pursued him; he managed to run about a block before collapsing. Officers from the NYPD’s 42nd Precinct, responding to a 911 call, did not wait for an ambulance. They placed the injured teen in a patrol car and rushed him to St. Barnabas Hospital. He was initially listed in stable condition after surgery but died a short time later.
Police say Frimpong was the intended target. They are searching for three teenage males, described as wearing black clothing or sweatsuits and blue surgical masks, who fled the scene toward Crotona Park or Fulton Avenue. No arrests have been made, and investigators have not publicly confirmed a motive. 
Thomas Frimpong, 60, a yellow cab driver who has lived in New York since around 2000, brought his son from Ghana approximately one year earlier so the boy could pursue better opportunities. Javits’s mother remains in Ghana. The day before the shooting marked roughly the one-year anniversary of Javits’s arrival. 
Frimpong believes the killing is connected to bullying at school. He says the principal contacted him about three days earlier to report that two students had been bullying Javits and were suspended for a week. School officials told him Javits was innocent and had only been defending himself.
This loss has shaken not only the Ghanaian community but immigrant families of every background who understand the sacrifices made to give children a better life in America. Our community extends its deepest condolences and solidarity.  Rest in perfect peace, Javits. 
🎥 Pix11 ABC7
#lunionsuite #haitianamerican
Javits Frimpong, a quiet 15-year-old who left Ghana for a brighter future in New York just one year ago, was fatally shot Thursday morning steps from his Bronx home as he walked to school. His father says he knows who is responsible and points to recent bullying that led to suspensions. On Thursday, October 29, around 9:24–9:30 a.m., Javits Frimpong was ambushed in the Claremont section of the Bronx, just one block from the apartment he shared with his father. The tenth-grader at DreamYard Preparatory School was struck once in the abdomen. Surveillance video captured him running for his life as at least one person in black pursued him; he managed to run about a block before collapsing. Officers from the NYPD’s 42nd Precinct, responding to a 911 call, did not wait for an ambulance. They placed the injured teen in a patrol car and rushed him to St. Barnabas Hospital. He was initially listed in stable condition after surgery but died a short time later. Police say Frimpong was the intended target. They are searching for three teenage males, described as wearing black clothing or sweatsuits and blue surgical masks, who fled the scene toward Crotona Park or Fulton Avenue. No arrests have been made, and investigators have not publicly confirmed a motive. Thomas Frimpong, 60, a yellow cab driver who has lived in New York since around 2000, brought his son from Ghana approximately one year earlier so the boy could pursue better opportunities. Javits’s mother remains in Ghana. The day before the shooting marked roughly the one-year anniversary of Javits’s arrival. Frimpong believes the killing is connected to bullying at school. He says the principal contacted him about three days earlier to report that two students had been bullying Javits and were suspended for a week. School officials told him Javits was innocent and had only been defending himself. This loss has shaken not only the Ghanaian community but immigrant families of every background who understand the sacrifices made to give children a better life in America. Our community extends its deepest condolences and solidarity. Rest in perfect peace, Javits. 🎥 Pix11 ABC7 #lunionsuite #haitianamerican
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