Haitian American

10 Top Haitian-American Executives You Should Know

It’s no surprise some of the top companies in the world are being run by Haitian-Americans. The last year we followed the career, social media and have met and work with some of these top execs who are leaders in their fields. Here are ten accomplished Haitian-Americans who have all climbed up the ladder and made their mark.

JR Duperrier: NBA Sports Marketing Manager at Adidas

Haitian-American Executives
JR Duperrier

Duperrier is an experienced Sports Marketer with a demonstrated history of working in the sporting goods industry. Duperrier is a strong marketing professional skilled in Event Planning, Sports Management, Marketing Strategy, Athletics, and Event Management. He was the interactive marketing manager at dime magazine and has been featured on nice kicks for his top 5  and also featured on BET as one of their top 25 influencers.

Duperrier works with several of Adidas biggest endorsers, like James Harden, Damian Lillard, Andrew Wiggins and many others, to make sure they’re taken care of, both on and off the court. He’s also had a chance to have his share of commercial cameos too. Part of his job is to work with the design and marketing teams to educate on what Adidas has to offer on and off the court, as well as how they can help them with marketing, tours and other events.

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 Claudine Joseph: Chief Operating Officer of LL COOL J Inc.

Haitian-American Executives
Claudine Joseph

A graduate of the Fashion Institute of Technology and holds a bachelor of science in marketing and international trade. She one of the most influential and valued professionals in entertainment, music, and fashion. Currently serves as the chief operating officer of LL COOL J Inc.  In this position she is directly responsible for managing the Award-winning entertainment icon’s day-to-day operations, building his extensive brand and conceptualizing innovative ways to promote his various projects in the worlds of music, acting, writing, entrepreneurship, and philanthropy.

Prior to joining LL COOL J Inc., Joseph worked her way through the ranks of Violator Management/Records. She began as an executive assistant to CEO Chris Lighty in 1999 and was promoted to junior manager, manager, and vice president. Joseph’s involvement in fashion started when she was a production manager for “Wu-Wear,” the clothing line for the Grammy Award-nominated group The Wu-Tang Clan.  Joseph then continued her journey within the fashion industry as a wardrobe stylist for The Fugees.

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Steven Victor: Senior Vice President of A&R at Universal Music Group

Steven Victor

Manager to Desiigner, Pusha T, Tyga and The-Dream, and COO of Kanye West’s G.O.O.D. Music, Steven Victor is the senior vice president of A&R at Universal Music Group(UMG).Victor, a graduate of Morehouse College, began his music

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career in 2003, working for six years in public relations at Interscope-Geffen-A&M, handling artists such as Jadakiss and Nelly Furtado.

He also worked closely with hip-hop duo Clipse, which included Pusha-T, who is now president of G.O.O.D. Music, before rising to the chief operating officer at Kanye West’s G.O.O.D Music. During his time at UMG, Victor signed and developed Def Jam artist Desiigner, he signed Desiigner to G.O.O.D. and helped his platinum hit “Panda” become the most on-demand streamed song so with over 674.4 million streams.  The track reached No. 1 on Billboard’s Hot 100 in 2016.

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Melissa Victor-Burkhardt: Vice President at Sony Music Entertainment

Haitian-American Executives
Melissa Victor-Burkhardt

A graduate from Spelman with a political science and government degree, Melissa Victor is the Vice President at Sony Music Entertainment. She works with artists and executives of Island Records, Def Jam Recordings and Mercury Records on television, Internet and print media exposure. She joined IDJ in 2009 as senior director of media and artist relations.

Prior to that, she spent four years at Virgin Records, where she worked with Lenny Kravitz, Joss Stone, Big Boi and Janet Jackson, and more than two years at Arista and J Records. Victor got her start at Interscope Records in 2001. Melissa is also the sister of Steven Victor above.

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Marsha St. Hubert: Senior Vice Presidents of Urban Marketing for Atlantic Records

Haitian-American Executives
Marsha St. Hubert

You know her as one of the team members in Cardi B’s management crew, making history and representing her peoples but Marsha St. Hubert has been making a lot more than bloody moves. Hubert is the senior vice president of urban marketing for Atlantic record. She got her start in the business in 2002 as an intern for Lyor Cohen at IDJ. When Cohen left IDJ for WMG in 2004, he asked St. Hubert to join him. Shortly after moving to WMG, St. Hubert went to work for Atlantic Co-Chairman & CEO Craig Kallman, first as his assistant and then as A&R Operations Manager.

In 2007, St. Hubert moved to Atlantic’s marketing department as a Product Manager, spearheading breakthrough projects by artists such as Wiz Khalifa, DJ Drama, and Lupe Fiasco. In 2012, she left the company for a two-year stint at Epic Records. St. Hubert returned to Atlantic in 2014, reuniting with Wiz Khalifa and other artists, while working on new campaigns for Gucci Mane, Missy Elliott, Kodak Black, and PNB Rock, among others. In November 2017, she was featured on Forbes as one of the “4 Music Industry Veterans Responsible For Hip-Hop’s Popularity.

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Joze Frage:  Barclay’s & Brooklyn Nets Account Executive Group Sales

Haitian-American Executives
Joze Frage

As one of the Group Sales Account Manager for the Brooklyn Nets and Barclays, Fragr works with local companies, schools, organizations and individuals in hosting events, theme nights, and fundraisers to Nets and Arena events.

Frage started as a Nets intern in 2012 and has been with the Nets organization for 2 1/2 years.  He is also the Mastermind behind the Brooklyn Elite NYFW Launch Party which is a custom networking social event which will leverage a platform of opportunities within the fashion, beauty and entertainment industries by producing relevant and relatable content for attendees — ultimately growing brand exposure and building a network amongst the key audience.

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Nicole Plantin – Vice President/ A&R at Rostrum Records

Haitian-American Executives
Nicole Plantin

Before joining Rostrum, Plantin was director of writer-publisher relations at BMI. During her tenure there, she signed Jhené Aiko, ScHoolboy Q, Odd Future, Dreezy and Joey Bada$$. Plantin began her music career with The Neptunes’ Star Trak label, whose roster included Clipse, Kelis, and N.E.R.D. Plantin has spent nearly three years at Rostrum as Senior Director, Management, and A&R. She steps up after recently A&Ring Vali’s current single ‘Aint No Friend of Mine,’ and Mod Sun’s album Movie, which debuted at #3 on iTunes Hip-Hop Chart.

Her most recent signing is Atlanta rapper Caleb Brown, who will release his debut album All Dawgs Go to Heaven 2 via Rostrum and his own label Do L.I.F.E. Records. Previously, Plantin was Director, Writer-Publisher Relations at BMI in Los Angeles

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Neil Dominique: Music Executive, Manager, Revolt Director of Music and Talent

Haitian-American Executives
Neil Dominique

You may know him as  Bryson Tiller’s manager but when he is not busy managing he is behind the scenes making magic happen at Revolt TV as their Director of Music and Talent. The beginning of his entertainment career began with an internship for Jermaine Dupri – now as Director of Music and Talent for REVOLT TV, he continues to prove his mark on the music culture. Dominique, once an assistant to Sean “P. Diddy” Combs, worked his way to being an A&R at Bad Boy records allowing him to manage the career of Multi-grammy Award Winner James Fauntleroy.

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Carl Chery: Head of Artist Curation at Apple Music

Haitian-American Executives
Carl Chery

A former hip-hop journalist who took on the head of the artist curation role just this week has been with Apple since the company’s 2014 acquisition of Beats, serving as the head of hip-hop/R&B programming for iTunes and Apple Music. Chery serves as Head of Hip-Hop/R&B Programming at Beats Music, LLC. Mr. Chery got his start in music journalism with SOHH.com in 2003. He gained notoriety in the industry for his daily coverage of the Murder Inc. money laundering trial in 2005 and worked his way up to senior correspondent during the last two of his four years at SOHH. He served as a contributing editor for Scratch Magazine.

In addition to writing, he became the first hip-hop journalist to conduct on-camera interviews for an online entertainment news site during SOHH.com’s coverage of the MTV Video Music Awards in 2006. Later that year, he took his career to BET and later became executive music editor, where he had a hand in shaping strategies to promote BET’s tent-pole events-BET Awards, BET Hip-Hop Awards, BET Honors, Spring Bling-for BET.com’s microsites. He served as XXL Magazine’s digital content director. He also played a key role in selecting emerging artists-before they reached mainstream success-for the annual XXL Freshman 10 cover. XXL Freshman 10 alumni include Macklemore, Kendrick Lamar, Kid Cudi, Big Sean, J. Cole, Wale and more. In 2010, Mr. Chery won an award for Best Music Writing for his contribution to an article celebrating the making of Nas’ Illmatic in XXL Magazine.

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Mona Scott-Young: CEO of Monami Entertainment

Haitian-American Executives
Mona Scott-Young

Mona Scott-Young is a media mogul, television producer, executive producer, and entrepreneur. She is the CEO of the multi-media entertainment company Monami Entertainment, best known for producing the VH1 reality television franchise Love & Hip Hop. While working at Radio City Music Hall, she was approached by the Brooklyn group TrackMasters to come on board as their manager.Through them, she met music executive Chris Lighty and with him co-founded the management company Violator.

Over the course of twenty years, the company helped launch and revamp the careers of artists such as Busta Rhymes, LL Cool J, Q-Tip, Foxy Brown, Ja Rule, Mobb Deep, 50 Cent, Mariah Carey, Fantasia and Missy Elliott, who she still manages today. She transitioned into television in 2005, producing The Road to Stardom with Missy Elliott on UPN and creating her own television production company, Monami Entertainment. In 2006, Jim Ackerman, a director at VH1 at the time, approached her to help develop a reality television series centered on rapper Jim Jones. The series, now known as Love & Hip Hop, went on to become a huge success, spawning a media franchise that included the spin-offs Love & Hip Hop: Atlanta, Love & Hip Hop: Hollywood, Chrissy & Mr. Jones, K. Michelle: My Life, Stevie J & Joseline: Go Hollywood and Leave It To Stevie.

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  • All nine people aboard a private Learjet 60 were killed Sunday afternoon when the Bahamas-bound aircraft nosedived into a residential area near Greenacres in Palm Beach County, Florida, and erupted in a fireball, narrowly missing homes and a busy roadway.⁠
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The crash occurred around 12:50 p.m. near Military Trail according to the Palm Beach County Sheriff’s Office and the Federal Aviation Administration. The aircraft had departed Austin-Bergstrom International Airport in Texas and was en route to North Eleuthera Airport in the Bahamas.⁠
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Transportation Secretary Sean Duffy confirmed the deaths and described the incident as a “horrific tragedy.” Florida Gov. Ron DeSantis, speaking near the scene, called it “cataclysmic,” saying, “It looked like a missile going down and left a big crater on the side of the road.” Officials said there were no reports of injuries or deaths on the ground, though debris was scattered over a significant distance. Roughly 600 residents of a nearby mobile home community were evacuated because the crash site blocked access.⁠
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Air traffic control recordings captured the crew’s final moments. Minutes before the crash, the pilot reported light clear ice, moderate turbulence, and precipitation while requesting a climb. The crew then declared a mayday, reporting a rapid descent of 10,000 feet per minute that escalated to 20,000 feet per minute in an overspeed condition. “We’re going to crash into the ground,” the pilot radioed. Flight tracking data showed the jet descending roughly 27,000 feet in about one minute before impact. The area was under a flood watch amid heavy rain and thunderstorms, with a convective SIGMET in effect.⁠
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Military Trail remains closed. The National Transportation Safety Board is leading the investigation, with FAA support; investigators were expected on scene Sunday night and Monday. Officials have not released the names of those on board or the breakdown of passengers and crew. The crash is the second-deadliest in the United States this year, following a June skydiving plane crash in Butler, Missouri, that killed 12, according to NTSB records.⁠
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🎥 @WSVN @FoxLocal⁠
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  • President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠
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Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠
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The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠
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Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠
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The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠
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  • Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠
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Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠
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On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠
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For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠
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Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠
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  • American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
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Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
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The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
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The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
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U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
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American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
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#lunionsuite #haitianamerican #haitian
  • Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
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Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
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Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
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📸 @verdyverna ⁠
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  • Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition
Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead.
During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies.
At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions.
While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture.
For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations.
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  • New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
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“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
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Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
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Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
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Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
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#lunionsuite #haitianamerican
  • At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
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  • Burna Boy made history on October 29 as the first African artist to perform at Apple Music Hall, Apple’s new 600-capacity live music venue inside London’s iconic Battersea Power Station.⁠
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The intimate venue, which opened just weeks earlier, is designed to bring artists and audiences closer together, featuring advanced Spatial Audio technology.One of the night’s standout moments came during his performance of “4 Kampé II,” his collaboration with Haitian artist Joé Dwèt Filé. A large Haitian flag was displayed behind Burna Boy as he performed the track, with dancers and his full band bringing the song to life. The visual tribute and performance offered a moment of recognition for Haitian fans, who have embraced the collaboration.⁠
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The London performance came just four days after Burna Boy brought “4 Kampé II” to the international stage at the NFL Paris Game halftime show on October 25 at Stade de France. On that occasion, he invited Joé Dwèt Filé to join him, giving the two artists an opportunity to perform their collaboration together.⁠
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With “4 Kampé II” continuing to feature in Burna Boy’s live performances across international stages, the collaboration has become a notable part of his setlist. Rooted in Haitian konpa, the song represents a musical connection between two artists and continues to introduce Haitian sounds to audiences around the world.⁠
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  • Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
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The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
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The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
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Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
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#lunionsuite #haitianamerican #haitian
  • American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠
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The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠
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Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠
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Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠
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For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠
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American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠
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  • On Wednesday, October 28, during her My Life, My Story residency at Dolby Live at Park MGM in Las Vegas, Mary J. Blige surprised the crowd by bringing @WyclefJean onstage for a performance of their 2000 hit collaboration “911.” 
Blige and Wyclef traded verses and chorus lines as the stage glowed in red and orange LED visuals with atmospheric smoke. The audience, phones raised, captured the energetic reunion of the two longtime collaborators.⁠
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“911,” from Wyclef’s 2000 album The Ecleftic: 2 Sides II a Book, peaked in the Top 40 on the Billboard Hot 100 and remains one of their best-known joint tracks, blending R&B, hip-hop, and Caribbean influences. Bringing it back live during Blige’s first-ever Las Vegas residency added a nostalgic, high-energy highlight to an already memorable night that also included her direct response to a heckler.⁠
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This viral clip captures both the unfiltered stage presence the Queen of Hip-Hop Soul is known for and the seamless chemistry between her and Wyclef on one of their signature songs.⁠
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#lunionsuite #haitianamerican #haitian
All nine people aboard a private Learjet 60 were killed Sunday afternoon when the Bahamas-bound aircraft nosedived into a residential area near Greenacres in Palm Beach County, Florida, and erupted in a fireball, narrowly missing homes and a busy roadway.⁠ ⁠ The crash occurred around 12:50 p.m. near Military Trail according to the Palm Beach County Sheriff’s Office and the Federal Aviation Administration. The aircraft had departed Austin-Bergstrom International Airport in Texas and was en route to North Eleuthera Airport in the Bahamas.⁠ ⁠ Transportation Secretary Sean Duffy confirmed the deaths and described the incident as a “horrific tragedy.” Florida Gov. Ron DeSantis, speaking near the scene, called it “cataclysmic,” saying, “It looked like a missile going down and left a big crater on the side of the road.” Officials said there were no reports of injuries or deaths on the ground, though debris was scattered over a significant distance. Roughly 600 residents of a nearby mobile home community were evacuated because the crash site blocked access.⁠ ⁠ Air traffic control recordings captured the crew’s final moments. Minutes before the crash, the pilot reported light clear ice, moderate turbulence, and precipitation while requesting a climb. The crew then declared a mayday, reporting a rapid descent of 10,000 feet per minute that escalated to 20,000 feet per minute in an overspeed condition. “We’re going to crash into the ground,” the pilot radioed. Flight tracking data showed the jet descending roughly 27,000 feet in about one minute before impact. The area was under a flood watch amid heavy rain and thunderstorms, with a convective SIGMET in effect.⁠ ⁠ Military Trail remains closed. The National Transportation Safety Board is leading the investigation, with FAA support; investigators were expected on scene Sunday night and Monday. Officials have not released the names of those on board or the breakdown of passengers and crew. The crash is the second-deadliest in the United States this year, following a June skydiving plane crash in Butler, Missouri, that killed 12, according to NTSB records.⁠ ⁠ 🎥 @WSVN @FoxLocal⁠ #lunionsuite #thehaitianamerican
16 hours ago
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1/12
President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠
⁠
Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠
⁠
The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠
⁠
Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠
⁠
The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠
⁠
#lunionsuite #haitianamerican #haitian
President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠
⁠
Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠
⁠
The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠
⁠
Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠
⁠
The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠
⁠
#lunionsuite #haitianamerican #haitian
President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠
⁠
Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠
⁠
The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠
⁠
Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠
⁠
The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠
⁠
#lunionsuite #haitianamerican #haitian
President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠
⁠
Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠
⁠
The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠
⁠
Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠
⁠
The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠
⁠
#lunionsuite #haitianamerican #haitian
President Donald Trump publicly confirmed he has spoken with El Salvador’s President Nayib Bukele about the situation in Haiti, telling the Salvadoran leader to handle the crisis as he sees fit. Speaking to reporters at a Halloween gathering at Mar-a-Lago on October 31, Trump said Bukele described having “a big problem with Haiti” and that “they killed some of his people.” Trump responded: “You’re running your country. You have to do what you have to do.”⁠ ⁠ Bukele later confirmed the exchange on X with a simple “Can confirm.” in reply to a White House Rapid Response post of the clip. Trump also stated that Bukele “doesn’t need help” and is “in pretty good shape,” signaling no immediate U.S. military involvement.⁠ ⁠ The comments come as El Salvador has rapidly deployed more than 2,000 troops to Haiti following the October 18 ambush of four Salvadoran aviation technicians serving with the UN-authorized Gang Suppression Force (GSF). The men were returning from a supermarket in the gang-controlled Croix-des-Bouquets area near Port-au-Prince when their armored vehicle was attacked with gunfire and explosives. They escaped the burning vehicle but remain missing. No gang has claimed responsibility, and official statements continue to treat them as unaccounted for rather than confirmed dead.⁠ ⁠ Bukele has framed the operation as a rescue mission and an effort to “teach the gangs a lesson,” while insisting it is not an invasion or an action against the Haitian people. In messages posted in Kreyol, he stated that El Salvador has no interest in dominating Haiti or seizing its resources, that the country is covering roughly 90% of the costs, and that the troops will return once the mission is complete. ⁠ ⁠ The deployment has drawn scrutiny. A Haitian diaspora advocacy group has alleged civilian casualties and airstrikes in areas near Port-au-Prince; Bukele has denied the claims, noting that Salvadoran attack helicopters only arrived later and that the mission does not involve bombs. The situation remains fluid, with search operations ongoing and questions about the scale and duration of El Salvador’s presence still unanswered.⁠ ⁠ #lunionsuite #haitianamerican #haitian
23 hours ago
View on Instagram |
2/12
Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠
⁠
Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠
⁠
On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠
⁠
For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠
⁠
Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠
⁠
#lunionsuite #haitianamerican
Economist, university professor, and entrepreneur Etzer Emile formally announced on Saturday, October 31, his candidacy for the presidency of Haiti under the banner of the political grouping Gwoupman Solèy (also referred to as SOLEY). The announcement came via a video statement and a campaign communiqué.⁠ ⁠ Emile, who has long analyzed Haiti’s economic and institutional challenges through teaching, writing, and public commentary, frames his run around three core priorities: security, jobs, and social justice. In the statement, he said improving security is the essential precondition for restoring public confidence, economic activity, and access to basic services. “The problem is not the truck. It’s the driver model that needs to change,” he stated, arguing that the country needs a government capable of protecting citizens, stimulating wealth creation, and remaining accountable.⁠ ⁠ On security, Emile proposes strengthening the country’s security and justice institutions, improving intelligence capabilities, combating the illegal circulation of weapons, and tightening border controls, while respecting the law and human rights. He has said families should be able to live without fear and workers should be able to move freely.⁠ ⁠ For employment and economic recovery, he calls for infrastructure development and administrative and tax reforms aimed at attracting local and foreign investment across industry, agriculture, tourism, commerce, and renewable energy sources such as solar and wind. On governance and social justice, he pledges to end patronage-based hiring in public administration, publish state expenditures, combat corruption and impunity, ensure equal treatment of citizens, and protect women against violence and discrimination. He also emphasizes greater participation for Haitians in the provinces, the diaspora, and people with disabilities.⁠ ⁠ Born on September 1, 1985, in Cavaillon, Emile is 41. He is married and the father of two boys. He studied economics at Université Quisqueya (where he teaches) and sociology at the State University of Haiti, then earned an MBA in finance and banking in Taiwan. ⁠ ⁠ #lunionsuite #haitianamerican
23 hours ago
View on Instagram |
3/12
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠
⁠
Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠
⁠
The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠
⁠
The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠
⁠
U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠
⁠
American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠
⁠
#lunionsuite #haitianamerican #haitian
American Airlines officially returned to Haiti on Sunday, November 1, with the arrival of its first commercial flight at Cap-Haïtien’s Hugo Chávez International Airport. The move ends nearly two years of suspended operations by major U.S. carriers in the country.⁠ ⁠ Flight AA2492 departed Miami International Airport aboard a Boeing 737 aircraft and landed in Cap-Haïtien, marking the resumption of regular commercial service. The inaugural flight operated with an all-Haitian crew. Airport officials organized activities to mark the occasion at both ends of the route, with inaugural events planned in Miami and Cap-Haïtien.⁠ ⁠ The airline is now operating daily nonstop service between Miami and Cap-Haïtien using Boeing 737 aircraft. Typical schedules show morning departures from Miami around 10:15–10:20 a.m. arriving in Cap-Haïtien around 12:15–12:28 p.m., with the return flight departing Cap-Haïtien in the early afternoon and reaching Miami mid-afternoon. ⁠ ⁠ The airline had announced the November 1 restart earlier in the year, becoming the first major U.S. carrier to formally restore regular commercial flights to Haiti since the late-2024 suspension.⁠ ⁠ U.S. commercial service to Haiti was largely halted in late 2024 after multiple incidents in which commercial aircraft were struck by gunfire near Port-au-Prince amid the country’s gang-related security crisis. The U.S. Federal Aviation Administration imposed restrictions barring U.S. carriers from the capital’s Toussaint Louverture International Airport; those restrictions on Port-au-Prince remain in effect. Cap-Haïtien and other northern airports were cleared for service, allowing this return.⁠ ⁠ American previously operated to Cap-Haïtien for years before broader suspensions. Haiti had been the only Caribbean nation without direct U.S. carrier flights during the suspension period. Regional operators continued limited Miami–Cap-Haïtien service in the interim.⁠ ⁠ #lunionsuite #haitianamerican #haitian
24 hours ago
View on Instagram |
4/12
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠
⁠
Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠
⁠
Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠
⁠
📸 @verdyverna ⁠
#lunionsuite #haitianamerican #haitian
Fèt Gede, the Festival of the Dead, is one of the most sacred and powerful celebrations on the Haitian Vodou calendar. Held every year on November 1 and 2, All Saints’ Day and All Souls’ Day, it is a time when families and Vodouists gather in cemeteries across Haiti to honor the ancestors with offerings, rituals, drums, and the signature banda dance.⁠ ⁠ Also known as the Festival of the Ancestors, Fèt Gede (Fèt = Festival, Gede = the sacred dead) is far more than remembrance. It is a living conversation between the living and those who came before us. The Gede, the family of lwa who guard the threshold between life and death, are both fierce and joyful. They remind us that death is not an ending, but a continuation; that the ancestors still walk with us, guide us, and strengthen us. In their presence, the boundary thins, and the community reconnects with the roots that have sustained Haiti through every trial.⁠ ⁠ Often described as Haiti’s equivalent of Mardi Gras, Mexico’s Day of the Dead, and Halloween rolled into one, Fèt Gede carries its own deep truth: life and death, joy and sorrow, fertility and finality exist together. It is a celebration of resilience, of lineage, and of the unbreakable bond between the living and the dead.⁠ ⁠ 📸 @verdyverna ⁠ #lunionsuite #haitianamerican #haitian
1 day ago
View on Instagram |
5/12
Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition
Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead.
During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies.
At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions.
While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture.
For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations.
#lunionsuite #haitianamerican
Haitians Honor Their Ancestors Through Fèt Gede, a Two-Day Celebration of Life, Death, and Tradition Every year on November 1 and 2, Haitians in Haiti and across the diaspora observe Fèt Gede, one of the most meaningful celebrations in Haitian Vodou. It is a time to honor loved ones who have passed away, remember our ancestors, and celebrate the connection between the living and the dead. During Fèt Gede, Vodou practitioners gather at cemeteries to pray, light candles, make offerings, and pay their respects. Some wear black, purple, and white, while others celebrate through music, dancing, and traditional ceremonies. At the heart of the celebration are the Gede spirits, who are associated with death, ancestors, and the cycle of life. Baron Samedi and Manman Brigitte are among the best-known spirits connected to these traditions. While Fèt Gede takes place around the same time as All Saints’ Day and All Souls’ Day, it has its own deep roots in Haitian history, spirituality, and culture. For many Haitians, Fèt Gede is more than a day of remembrance. It is a celebration of those who came before us and the traditions that continue to connect generations. #lunionsuite #haitianamerican
1 day ago
View on Instagram |
6/12
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠
⁠
“The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠
⁠
Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠
⁠
Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠
⁠
Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠
⁠
#lunionsuite #haitianamerican
New York City Mayor Zohran Mamdani said Saturday that President Donald Trump has agreed to grant an immediate visa to the mother of 15-year-old Javits Frimpong after a phone call between the two.⁠ ⁠ “The murder of a child is a pain no parent should have to endure, let alone from thousands of miles away,” Mamdani posted on X. “Javits Frimpong’s mother deserves to say goodbye to her son in person. I just got off the phone with President Trump and he has agreed to grant her visa immediately. All of New York City is mourning this tragedy.”⁠ ⁠ Frimpong, a Ghanaian immigrant who had moved to the Bronx about a year earlier to live with his father, was fatally shot Thursday morning, October 29, while walking to school. Police said he was shot once in the abdomen near East 171st Street and Crotona Place in the Claremont section of the Bronx, shortly before 9:30 a.m. Officers transported him to St. Barnabas Hospital, where he was pronounced dead. No arrests have been made. Investigators are seeking three teenage males last seen in dark clothing and masks. The motive remains under investigation.⁠ ⁠ Frimpong’s father, Thomas Frimpong, has said his son had been bullied at DreamYard Preparatory School and that school officials had recently suspended two students in connection with incidents involving him.⁠ ⁠ Frimpong’s mother, Doris Adu Gyamfi, remains in Ghana (Kumasi). Ghana’s Foreign Minister Samuel Okudzeto Ablakwa said he had spoken with her and assigned officials to help with the visa process. He added that the Ghanaian government would cover her full travel costs and contribute toward a dignified funeral while continuing efforts to secure justice. Community members and elected officials have held vigils in the Bronx as the investigation continues.⁠ ⁠ #lunionsuite #haitianamerican
2 days ago
View on Instagram |
7/12
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
#lunionsuite
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave.
Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit.
“Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. 
Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome.
Addressing the musical moment, he wrote:
“Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music.
Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door.
🎥 @Naishaazorr Janellesimonee1/Tiktok
#lunionsuite
At Aya Nakamura’s sold-out concerts in Montreal’s on October 24–25, the French-Malian star performed an acoustic version of her song “J’ai mal.” As the guitar began, a familiar melody cut through the room. Many Haitian fans in the audience recognized it immediately. The opening notes closely matched “Se pa pou dat,” the long-running konpa classic by Haitian singer @AlanCave. Nakamura continued with her lyrics without mentioning Cavé or the song. Within hours, videos of the moment circulated online. Some listeners saw the resemblance as an uncredited use of a major Haitian track. Others viewed it as a possible influence or a simple arrangement choice. The clips turned into a wider conversation about recognition, cultural borrowing, and how Haitian music sometimes appears on larger international stages without credit. “Se pa pou dat” is one of the defining love songs of modern Haitian music. The track has remained a staple for more than two decades. Its slow, emotional melody is instantly recognizable to many in the Haitian diaspora, even to those who do not speak Kreyol. Aya Nakamura, is the most-streamed French-speaking female artist in the world. Her sound blends Afrobeat, R&B, & urban pop, and “J’ai mal” is an earlier, more vulnerable song that has stayed in her repertoire. Days later, on October 30, Alan Cavé responded on Instagram. He had attended Nakamura’s shows and also joined a master class with her musicians. During that session, he learned that her drummer and musical director are Haitian, a discovery he described with pride. He later met Nakamura and thanked her and her team for their warm welcome. Addressing the musical moment, he wrote: “Hearing a few notes of ‘Se pa pou dat’ blend into your ‘J’ai mal’ in the middle of your show…it touched me, but I didn’t feel any pain. Next time, we could sing it together.” He added that it was beautiful to see a song he created years ago continue its journey into another generation’s music. Rather than focusing on the debate, Cavé treated the moment as a sign that the song is still traveling and framed the unexpected connection as an open door. 🎥 @Naishaazorr Janellesimonee1/Tiktok #lunionsuite
2 days ago
View on Instagram |
8/12
Burna Boy made history on October 29 as the first African artist to perform at Apple Music Hall, Apple’s new 600-capacity live music venue inside London’s iconic Battersea Power Station.⁠ ⁠ The intimate venue, which opened just weeks earlier, is designed to bring artists and audiences closer together, featuring advanced Spatial Audio technology.One of the night’s standout moments came during his performance of “4 Kampé II,” his collaboration with Haitian artist Joé Dwèt Filé. A large Haitian flag was displayed behind Burna Boy as he performed the track, with dancers and his full band bringing the song to life. The visual tribute and performance offered a moment of recognition for Haitian fans, who have embraced the collaboration.⁠ ⁠ The London performance came just four days after Burna Boy brought “4 Kampé II” to the international stage at the NFL Paris Game halftime show on October 25 at Stade de France. On that occasion, he invited Joé Dwèt Filé to join him, giving the two artists an opportunity to perform their collaboration together.⁠ ⁠ With “4 Kampé II” continuing to feature in Burna Boy’s live performances across international stages, the collaboration has become a notable part of his setlist. Rooted in Haitian konpa, the song represents a musical connection between two artists and continues to introduce Haitian sounds to audiences around the world.⁠ ⁠ #lunionsuite #haitianamerican #haitian
2 days ago
View on Instagram |
9/12
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠
⁠
The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠
⁠
The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠
⁠
Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠
⁠
#lunionsuite #haitianamerican #haitian
Amazing!!!!!! 🎃🇭🇹 Two of our own turned Halloween into a stylish tribute to music and film, serving detailed looks inspired by Aaliyah and Teyana Taylor’s role in One Battle After Another. ⁠ ⁠ The first look channels Teyana Taylor as Perfidia Beverly Hills from One Battle After Another. @Maddymorebuckss standout detail is the prominent baby bump, mirroring the film’s striking image of Taylor’s character in action.⁠ ⁠ The second recreation by @Sidmich_ captures Aaliyah’s signature glam. Long, straight black hair frames dramatic smoky eye makeup. The midriff-baring top and bold silver belt complete a sleek early-2000s stage and photoshoot aesthetic, polished, confident, and instantly recognizable.⁠ ⁠ Together, the two Haitian beauties offer a sharp pairing of music history and contemporary film for Halloween.⁠ ⁠ #lunionsuite #haitianamerican #haitian
2 days ago
View on Instagram |
10/12
American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠
⁠
The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠
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Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠
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Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠
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For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠
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American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠
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American Airlines will restart daily nonstop service between Miami and Cap-Haïtien on Sunday, November 1, 2026.⁠ ⁠ The flights will operate from Miami International Airport to Cap-Haïtien’s Hugo Chávez International Airport on Boeing 737 aircraft. The service marks the return of a major U.S. airline to Haiti after nearly two years of limited options for travelers.⁠ ⁠ Under the schedule, the Miami–Cap-Haïtien flight is set to depart around 10:15 a.m. and arrive around 12:15 p.m. local time. The return flight leaves Cap-Haïtien around 1:15 p.m. and lands in Miami around 3:15 p.m. The timing allows for onward connections through Miami for passengers traveling from other U.S. cities.⁠ ⁠ Cap-Haïtien becomes American Airlines’ 100th destination across Mexico, the Caribbean, and Latin America. The resumption comes as U.S. commercial flights to Port-au-Prince remain restricted under the Federal Aviation Administration’s ban, which has been in place since late 2024 following security incidents involving gunfire on aircraft in the capital. Cap-Haïtien and other northern airports have remained open to U.S. carriers.⁠ ⁠ For many in the Haitian diaspora in South Florida and beyond, the daily Miami–Cap-Haïtien route restores a direct, major-carrier option for family visits, business travel, and connections to northern Haiti. Cap-Haïtien serves as a key gateway for the northern region, and the new service adds capacity after years of reliance on smaller operators.⁠ ⁠ American Airlines previously served Cap-Haïtien starting in 2014 after the airport’s runway was rehabilitated. The November 1 restart places the northern city back on the airline’s network during the winter travel season.⁠ ⁠
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On Wednesday, October 28, during her My Life, My Story residency at Dolby Live at Park MGM in Las Vegas, Mary J. Blige surprised the crowd by bringing @WyclefJean onstage for a performance of their 2000 hit collaboration “911.” Blige and Wyclef traded verses and chorus lines as the stage glowed in red and orange LED visuals with atmospheric smoke. The audience, phones raised, captured the energetic reunion of the two longtime collaborators.⁠ ⁠ “911,” from Wyclef’s 2000 album The Ecleftic: 2 Sides II a Book, peaked in the Top 40 on the Billboard Hot 100 and remains one of their best-known joint tracks, blending R&B, hip-hop, and Caribbean influences. Bringing it back live during Blige’s first-ever Las Vegas residency added a nostalgic, high-energy highlight to an already memorable night that also included her direct response to a heckler.⁠ ⁠ This viral clip captures both the unfiltered stage presence the Queen of Hip-Hop Soul is known for and the seamless chemistry between her and Wyclef on one of their signature songs.⁠ ⁠ #lunionsuite #haitianamerican #haitian
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