Haiti Music Videos

16 Rap Kreyol Artist You Should Add To Your Playlist (Part I)

We’ve been increasing the number of Haitian artists on our daily playlist lately and we want to keep sharing our list with you as it grows. If you are new to the Rap-Kreyol scene like we are, here are a few things you should know about the genre.

Rap Kreyol also refer to as ‘Ipap Kreyòl’ is simply Haitian Hip Hop or Hip Hop Kre

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yol. The music originates from Haiti and is performed by artists of Haitian descent. Just like American Hip-Hop, many Haitian rap artists have had rough childhoods and difficult living conditions producing rappers who address socio-economic topics in their lyrics, often hardcore beats are used and the artist raps primarily in Kreyòl.

The genre has been part of the Haitian culture since the early ’80s with groups such as Original Rap Staff, King Posee, Rap Kreyòl S.A., Masters of Haiti, Fighters, Blackdo, Fam-Squad, Supa Deno, Prince Berlin, and Muzion attaining prominence, but lately, it has become very popular with Haitian youth. Throughout the years, groups like  Barikad Crew, Rockfam, Brimad, Topson, Chale Republic, Pick Up Click, BriganDie, Team Lobey, Dezod Beats and many others kept the genre buzzing.

We can’t mention Hip-Hop in Haiti without mentioning the godfather, late Master Dji.  He not only released the first Haitian rap song in the early 1980s but he formed the group Rap Kreyòl S.A. He was also the first Haitian DJ and also influential in encouraging other young Haitians such as Supa Deno, DJ Fanfan, and DJ Live to become rappers, DJs, and breakdancers.

Now that you’re all caught up on why this is a piece of our Haitian music culture you should know, continue researching and support if you are a hip-hop head, here is our first list of some of the hottest Rap-Kreyol artists you should know and add to your current playlist in 2017. We’re actually big Hip-hop fans and excited about this journey.

Think we missed anyone, or want to introduce more artists to us, email, or comment on your favorite Haitian artist for our upcoming features. Subscribe to the site to keep up with all of our upcoming lists.

Rap Kreyol
Wendyyy

Wendyyy, real name Wendy Divers is the self-proclaimed King of Creole rap is one of the most talented MCs in the rap game. For the past couple of years, he has created an undeniable buzz for himself with his mixtapes, freestyles, and features. His self-proclaimed “King” has caused major controversies in the Creole Hip-hop community and has gotten him the attention of many of Creole Hip-hop’s well-known artists.

The MC recently released his highly anticipated first solo album “Majesté” in 2013 at Privilege Hotel in Port Au Prince where hundreds of his fans showed up to purchase their copies.

Rap Kreyol
Roody Roodboy

Roody Petuband-artistel aka Roody Roodboy was born in Port-au-Prince. He grew up in Cité Militaire, a boiling area of the Port-au-Prince International Airport. His uncle, Mario Dauphin introduced him to the guitar in 2005, the day after the tragic death of his beloved father. This multifaceted instrument became immediately his workhorse and a source of consolation, facing the distress of the unexpected departure of the father. In 2008, Roody was among the top 10 finalists in the “Digicel Stars” music competition. Two years later he was the third finalist of the same competition which escalated his career.

Together with Steve and Herby Azor, Roody Roodboy launched “Mizik Malè m” at “Brothers dread production”. And, to reach the highest peaks, roodboy released “Pa Dekouraje”, his first solo music subject to the appreciation and enjoyment of the general public.

Rap Kreyol
Niska

Niska Pascal Garoute better known by her stage name Niska, is a Haitian/American Artist, Rapper, and Singer-Songwriter.  Niska was born to parents, Tania Chihimie and Pascal Garoute. Niska was raised in Port-au-Prince, Haiti where she attended both primary and secondary school. Due to political chaos, and ongoing riots in Port-au-Prince (under Aristides presidency), Niska’s mother moved her and her siblings to Florida to finish school. Niska attended Cypress Bay Highschool in Weston, Florida for two years before transferring to the American Heritage School of Arts to play basketball and further her Artistic Career. After graduation, Niska went on to study in New York City where she began to pursue her long time dream of becoming an MC.

In 2014, Niska announces her forthcoming monthly music series, #GetItOnthe15th. Fans can expect a new original or remix record via Audiomack the 15th of every month leading up to the release of Niska’s next full-length project.

Rap Kreyol
Izolan

Jean Léonard Almighty, better known by his alias IZOL

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AN was born in Arcahaie in Haiti. He is a rapper and a well-known lyricist. He is well known for his rap Barikad Crew. He also has a blazing solo career which includes the release of 3 albums Fèmen bouch yo, K-tafal, Kite IZO baw love.

Izolan is also a businessman with his company (dlo izo) and his recording studio (Oye Oye Records). He splits his time between recording studios, performances here or abroad, and his family. He has collaborated extensively with other artists in the Haitian music scene and is also a recurring figure in small screen and radio advertising.

Trouble Boy Hitmaker

Jolissaint Lord Wensky aka TroubleBoy Hitmaker says his name came from his attitude, the way he carries himself. Trouble is from Cap-Haitien and started creating music in grade school but started taking it seriously when he moved to Petion-Ville. He made his music debut at the age of 12 performing Lil Bow Wow who was his idol at that time, and in 2010 he added the hitmaker to his name and started recording his own music, “Crank that moto” which, as its name suggests, is inspired by the unforgettable Crank that of Soulja Boy. Faithful to his pseudonym, Trouble Boy says he is determined to disturb the world of rap.

Rap Kreyol
Baky Popile

Baptista Lugendy St-Hubert, best known on the rap Kreyol scene as Baky Popile. Baky started recording music after one of his friends was killed in the Dominican Republic. The name of the song “Paskem se Ayisyen” (Because I am Haitian), one of 2012 biggest Rap Kreyol hits.

It was the 1st song he ever recorded and he wanted to use the song to start a revolution to discuss some of the unfortunate realities of people living in Haiti. Following the popularity of the song, Baky was signed to RKM recordz where he released 1 album and 3 mixtapes.

Fantom

Daniel Darinus aka Fantom is one of the members of the very popular rap group Barikad Crew, one of the most popular hip-hop groups in Haiti.  At 13, he wanted to try his hands at dance hall music. Later, he will be noticed in D-camp and SOS before signing up for Pick-up click and Barikad Crew (BC). In 2009, after two albums with Barikad Crew, and one with Pick up click, he started working on his personal project:  Men nonm lan, an album from where he exhibited all his potential as a rapper.

Fantom has his own studio, Tapaje Recordz which serves as a recording studio for a local artists. On 17 February 2015, Fantom came into contact with a high-voltage power line during a Kanaval parade and was electrocuted. At least 18 people were killed and 78 injured when they were caught in the ensuing st

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ampede.

Barikad Crew

Barikad Crew is from Rue Nicolas in Port-au-Prince and was founded in 2002 by Papa K-tafalk, Deja-Voo and Kondagana. Their primary focus was to produce music that reflects the lifestyle of the slums. The trio invited several other rappers from other underground groups to join. Their first single was a carnival song “Projè Project” released in 2003. In the beginning of 2004, Barikad Crew released “Bay Hip hop Bourad” together with a video filmed in their neighborhood park. Their second single, “Kijan’l Te Ye”, was released in January 2005.

The group rose to fame at the end of 2005 when they won 3rd place at the popular TV’s Christmas songs contest, “Konkou Chante Nwel”, on Telemax with the song “Nwel Pa’m”. At the beginning of 2006, Barikad Crew released their carnival hit song, called “Trip N’ap Trip”. Their debut album is called Goumen Pou Saw Kwè, and was released in November 2007. At the time of the album release, the group’s members were: Bricks, Brital, Dade, Deja-voo, Fantom, Izolan, Kondagana, Marco, Master Sun, Papa K-tafalk, and Young Cliff.

On 15 June 2008, three members of the group (K-tafalk, Deja-Voo, Dade) died in a car accident while they were on their way to a concert in Haiti.Less than two years later, another member, Young Cliff, died in the January 2010 earthquake.

Princess Eud

Enide Edouarin, better known as Princess Eud, is often hailed as Haiti’s reigning queen of hip-hop.  The singer/rapper/clothing designer was born in Petion-Ville, Haiti on April 25th. Rapping in Haiti is done mostly by men, so to be a female rapper, she describes herself as being a yon fanm solid—a strong woman who wants to make a difference in my community and show all women that if you want something, you can get it. Eud was introduced to the public as a member of the group Tribu de Job, and can be heard on the

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ir album “Zokot Filozofi”.

After taking a break from music, she came back in 2007 focusing on a solo career. She released a couple of singles the following year and worked on other artists’ projects as well. In the summer of 2009, it was announced that Eud became the fourth member of Mystik 703 after years of working and touring with the group. Edouarin’s goal to inspire women is evident in her music. The singer and rapper believe artists are “messengers,” and it’s her mission to share inspiring messages in an effort to provide hope and heal emotional wounds.

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🇭🇹𝗖𝗼𝘂𝗻𝘁𝗿𝘆.𝗣𝗲𝗼𝗽𝗹𝗲.𝗖𝘂𝗹𝘁𝘂𝗿𝗲 👩🏽‍💻𝗘𝘀𝘁 2011 𝗯𝘆:@mrswanda ⌨️𝗙𝗕𝗼𝗼𝗸:#TheHaitianAmerican 𝗙𝗲𝗮𝘁:@forbes @bet @blackenterprise @nbcnews @nytimes @miamiherald +
  • Nigerian Afrobeats star @heisrema is bringing a touch of Haiti into his latest release.⁠
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Rema dropped his new single “Oh No” on September 11, blending his Afropop sound with kompa, dancehall and reggaeton influences. The track was produced by Jamaican producer Rvssian and leans into guitar-driven Caribbean rhythms while keeping Rema’s melodic style at the center.⁠
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For Haitians, the kompa influence stands out. The genre was developed in Haiti in the 1950s and has grown far beyond the country, influencing music throughout the Caribbean, Africa, Europe and the Haitian diaspora.⁠
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The release is another example of how Haitian music continues to travel across borders and find its way into sounds from artists around the world.⁠
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“Oh No” is now available on major streaming platforms, with a music video accompanying the release.⁠
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#lunionsuite #haitianamerican
  • Florida health officials are warning residents to protect themselves from mosquitoes as locally acquired dengue cases continue to rise across the state, with the Tampa Bay area seeing the largest increase.⁠
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Hillsborough County has become the center of the outbreak. According to the latest figures reported by the Florida Department of Health, the county reached 95 locally acquired dengue cases for the week ending September 5, compared with 59 the week before. Cases have also been reported in other parts of Florida, including Pinellas, Orange and Miami-Dade counties.⁠
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“Locally acquired” means the person was infected by a mosquito in Florida rather than while traveling outside the country. Dengue is spread through the bite of an infected mosquito and can cause fever, severe muscle and joint pain, headaches and rash.⁠
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Mosquito-control teams are responding with increased surveillance, inspections and targeted spraying. Orange County, for example, expanded mosquito treatments after confirming a locally acquired dengue case earlier this month.⁠
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Health officials are asking residents to drain standing water around their homes, use mosquito repellent and cover exposed skin when possible.⁠
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#lunionsuite #haitianamerican
  • Florida’s Board of Governors voted unanimously to bar students who are not lawfully present in the United States from enrolling in the state’s 12 public universities beginning with the 2027-28 academic year.⁠
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The regulation, approved without debate after earlier preliminary approval in June, applies to any university that did not admit all academically qualified applicants in the two most recent academic years. Because all 12 State University System campuses operate selective admissions, the rule effectively closes those institutions to new undocumented students. Currently enrolled students are not affected.⁠
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The university ban follows a June vote by the Florida Board of Education that already prohibited undocumented students from the state’s 28 public colleges and most adult education and GED programs. Together, the two policies shut undocumented students out of public higher education in Florida. The state now joins Alabama, Georgia, and South Carolina in imposing such restrictions.⁠
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Legislative bills that would have achieved a similar result died in committee during the 2026 session. The boards then used their rulemaking authority to adopt the limits. Lt. Gov. Jay Collins called the university rule “common sense,” saying public universities are for students who are here legally and that taxpayers should not subsidize those who “broke our laws to come here.”⁠
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Critics, including United Faculty of Florida president Robert Cassanello, described the move as overreach that closes educational doors and limits the system’s ability to educate future workers. Exact current enrollment figures for undocumented students are not published, but earlier counts of out-of-state tuition waiver users put the number at roughly 2,000 at universities and more than 4,600 at state colleges in 2024-25. Broader estimates of undocumented students in Florida higher education have been far higher.⁠
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Private universities are not covered by the rule. Online students studying from outside the United States also remain eligible. The policy takes effect for new enrollments in fall 2027.⁠
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Video Source: @Wfla⁠
#lunionsuite #haitianamerican #haitian
  • Twenty-five years have passed, but September 11 remains a day America will never forget.⁠
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On this day in 2001, 19 al-Qaeda terrorists hijacked four commercial airplanes. Two were flown into the World Trade Center towers in New York City, another struck the Pentagon in Virginia, and the fourth, United Airlines Flight 93, crashed in Pennsylvania after passengers and crew fought back. A total of 2,977 people were killed.⁠
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Today, families, survivors, first responders and communities across the country are marking the 25th anniversary of 9/11 with moments of silence, memorial ceremonies, readings of victims’ names and acts of service. At Ground Zero in New York, relatives gathered once again to honor the people they lost. Commemorations are also taking place at the Pentagon and the Flight 93 site in Pennsylvania.⁠
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This year's anniversary also recognizes a painful part of the tragedy that continued long after that morning. The New York ceremony added a moment of silence for people who later died from illnesses linked to exposure to toxic dust following the collapse of the Twin Towers.⁠
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For a generation that was not yet born or was too young to remember September 11, the anniversary is also a reminder of why these stories continue to be told.⁠
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Twenty-five years later, we remember the lives lost, the families who still carry that loss and the first responders who ran toward danger to help others. We will never forget.⁠
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#lunionsuite #haitianamerican
  • An ICE Air deportation flight landed in Cap-Haïtien after sunset on Thursday, returning 82 Haitian nationals. Among those on board, Haitian officials said, were two young boys: a 3-year-old U.S. citizen and a 6-year-old born in Brazil, both traveling with Haitian parents.⁠
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The plane, which originated in Alexandria, Louisiana, and made a stop at Opa-locka Executive Airport in South Florida, was hours behind schedule. Haitian authorities had prepared for a daytime arrival. Instead, the aircraft touched down after dark, long after government offices had closed and after deportees had already spent more than 13 hours in shackles, not counting flight time.⁠
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Office National de la Migration (ONM) staff who had been mobilized since morning stayed at the airport well into the night. Workers did not leave until after 2 a.m., according to accounts from the ground, because the late landing compressed screening, police checks, basic assistance, and transport into the early hours.⁠
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ONM Director General Jean Négot Bonheur Delva has previously said Haiti’s working hours for receiving returnees run from 8 a.m. to 4 p.m., and that the latest practical window for an aircraft is early afternoon because processing alone takes two to three hours. A sunset arrival, he has warned, forces overtime, extra security, and staff who traveled from Port-au-Prince to miss return flights.⁠
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Thursday’s flight is part of a weekly cadence of removals that began after the Trump administration terminated Temporary Protected Status for Haitians and the U.S. Supreme Court allowed that decision to take effect. Flights that once arrived roughly once a month now land in Cap-Haïtien almost every Thursday, because Port-au-Prince’s international airport remains too dangerous for U.S. aircraft.⁠
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Returnees typically receive a small stipend from the Haitian government, far less than the cost of a ticket or a safe overland trip toward Port-au-Prince. Many have no family in the north. The highway south remains under gang control. Some stay stranded in Cap-Haïtien with little more than the clothes issued in U.S. detention.⁠
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#lunionsuite #haitianamerican #haitian
  • Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
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The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
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Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
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The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
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#lunionsuite #haitianamerican #haitian
  • Why Haitian parents are so intrusive?? 😂⁠
Papa Junior checking @rankontre in the dark 😂⁠
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#lunionsuite #haitianamerican #ads
  • Naomi Osaka does not need anyone to like her clothes.
After her US Open run ended in a straight-sets loss to Elena Rybakina, a familiar wave of comments arrived: the outfits were too much, the walk-ons were a fashion show, she should just play tennis. Osaka answered the way she usually does, plainly, on her own platform, and without apology.
“You know… idgaf if you don’t like me,” she wrote. “I don’t mind being the first to do something and getting trashed for it. This happened when I talked about mental health and for some reason it’s happening with my clothes lol. I’m literally Haitian it’s in my blood to be this way, as long as the people after me have an easier path it’s worth it.”
Osaka, whose father Leonard François is from Jacmel, Haiti, and whose mother is Japanese, has spent 2026 treating Grand Slam walk-ons like a second language. At the Australian Open she arrived in a jellyfish-inspired look. At Roland Garros she layered gold sequins, trains, & jackets over her playing dress. At Wimbledon she walked out in a white kimono nodding to Kill Bill, then later wore a Haiti national team jersey after the country returned to the World Cup. In New York she paid tribute to Allen Iverson,  hooded robe, newspaper clippings from her own career, cornrows, headband, then played in black basketball-style kit.
The comparison to 2021 is not throwaway. When she skipped press at the French Open and later withdrew, citing mental health, the reaction was swift and often cruel. She kept going. Years later the conversation around athletes and mental health is different because she and others refused to stay quiet. She is applying the same logic to what she wears.
Tennis still has an unspoken uniform, clean, traditional, not too loud. Osaka keeps breaking it in public. That bothers people who think the court should look a certain way. It also opens space for younger players who want to bring their whole self, culture, hair, history, humor, onto the biggest stages without waiting for permission.
She is not asking for everyone to get it. She does not do it for the people who will never understand. She does it for the ones who look like her.
#lunionsuite #haitianamerican
  • Soca king Machel Montano paused the party long enough to speak directly to Haitian fans.⁠
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In a clip circulating from a recent live show, the Trinidad and Tobago star is onstage in a Statue of Liberty tank, mic in hand, working the crowd under purple lights. Then he switches gears. He calls out Haiti, talks about love, and works through Kreyol as the audience rides with him. ⁠
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The moment fits how Montano has been talking about the region this year. In interviews around his documentary Like Ah Boss: Journey of a Soca King and the Encore tour, he has argued that soca’s next chapter is Caribbean unity Haiti and Cuba included  because the music already shares a pulse. Onstage, that idea becomes simpler: greet the people in the room.⁠
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Montano has spent four decades turning carnival stages into meeting places  from Madison Square Garden as a child opener to Road March records and packed U.S. dates. This clip is short. What travels is the gesture: Haiti named, Creole attempted, love said out loud, and the show kept moving.⁠
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🎥 @RumAndMusic⁠
#lunionsuite #haitianamerican #haitian  #culture #caribbean
  • After a video of shackled deportees set to a Haitian song sparked fury across the community, Homeland Security’s official account is back, this time telling Haitian doctors and lawyers that $3,000 is “an entrepreneur’s dream.”⁠
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They heard the community. They saw the reaction. Then they posted again.⁠
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On Tuesday, the official Department of Homeland Security account addressed Haitian doctors, lawyers, scholars, and engineers by name and told them to “imagine what you could do with $3000 in Haiti.” It called the stipend “an entrepreneur’s dream,” linked the CBP Home self-deportation page, and quoted a New York Times headline about deportees arriving in Cap-Haïtien broke and stranded.⁠
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That is not a policy explainer. That is a punchline built on other people’s ruin. Less than two weeks earlier, the same agency posted a video of Black men in shackles and waist chains being walked onto a deportation flight. The footage was set to a Haitian song. On-screen text read: “Temporary Meant Temporary. Leave Now.” Community leaders called it reprehensible and dehumanizing. Pastors said they could not sleep. Families recognized the message immediately: this is how we will treat you, and we will film it.⁠
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Every time Haitians object, to the end of TPS, to weekly flights into a country the State Department still warns Americans not to visit, to children on those planes, to people landing with government sweatpants and almost no cash, the official account answers with another taunt. $2,600. Then $3,000. “Closing time.” “Leave now.” “Entrepreneur’s dream.” The more the community names the humiliation, the more the messaging leans into it.⁠
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That is the pattern. Not a one-off post. A strategy.⁠
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The Times reporting DHS chose to quote is not satire. Deportees have been arriving in Cap-Haïtien weekly. Some say valuables vanished in transit. Haitian authorities have been giving adults the equivalent of about $80. People who worked in hospitals, drove, taught, and paid taxes in the United States are marooned in a city many of them do not know, with no safe way home. DHS looked at that and wrote a joke about starting a business.⁠
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#lunionsuite #haitianamerican
  • Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. 
Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation.
Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six.
Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section.
She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis.
A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment.
📸 @missworld @mariekemlynefelix
#lunionsuite #haitianamerican
  • Authorities in the Turks and Caicos Islands intercepted an overcrowded vessel carrying 207 migrants, including Haitian nationals, early Monday, September 7, as it attempted to reach the British overseas territory. Officials said the passengers were brought ashore safely and transferred to immigration authorities for processing.⁠
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The operation followed another interception on September 2, when the Royal Turks and Caicos Islands Police Force stopped a vessel carrying 171 migrants near Northwest Point, Providenciales. Police said coastal radar detected the boat before it could make landfall. Marine Branch officers escorted the passengers to South Dock and handed them over to the Turks and Caicos Islands Border Force.⁠
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A third vessel was stopped near the Bahamas on September 3. The Royal Bahamas Defence Force reported finding 146 Haitian migrants  111 men, 30 women, two boys and three girls  aboard a 45-foot boat about 17 miles northeast of Great Inagua. The passengers were taken to Matthew Town for processing. Together, the three operations account for 524 migrants intercepted in the region since September 2.⁠
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Turks and Caicos police had already reported approximately 1,075 migrants intercepted aboard eight vessels in 2026 before Monday’s operation. Authorities have not yet released a detailed breakdown of the 207 passengers or announced their next steps.⁠
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The latest intercepts come as Haitians continue attempting dangerous maritime crossings amid insecurity, economic hardship and limited opportunities at home. Regional forces have repeatedly warned that overloaded boats remain a serious risk to life at sea, even as they report that recent groups were brought ashore without reported casualties.⁠
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#lunionsuite #haitianamerican #haitian
Nigerian Afrobeats star @heisrema is bringing a touch of Haiti into his latest release.⁠ ⁠ Rema dropped his new single “Oh No” on September 11, blending his Afropop sound with kompa, dancehall and reggaeton influences. The track was produced by Jamaican producer Rvssian and leans into guitar-driven Caribbean rhythms while keeping Rema’s melodic style at the center.⁠ ⁠ For Haitians, the kompa influence stands out. The genre was developed in Haiti in the 1950s and has grown far beyond the country, influencing music throughout the Caribbean, Africa, Europe and the Haitian diaspora.⁠ ⁠ The release is another example of how Haitian music continues to travel across borders and find its way into sounds from artists around the world.⁠ ⁠ “Oh No” is now available on major streaming platforms, with a music video accompanying the release.⁠ ⁠ #lunionsuite #haitianamerican
38 minutes ago
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Florida health officials are warning residents to protect themselves from mosquitoes as locally acquired dengue cases continue to rise across the state, with the Tampa Bay area seeing the largest increase.⁠
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Hillsborough County has become the center of the outbreak. According to the latest figures reported by the Florida Department of Health, the county reached 95 locally acquired dengue cases for the week ending September 5, compared with 59 the week before. Cases have also been reported in other parts of Florida, including Pinellas, Orange and Miami-Dade counties.⁠
⁠
“Locally acquired” means the person was infected by a mosquito in Florida rather than while traveling outside the country. Dengue is spread through the bite of an infected mosquito and can cause fever, severe muscle and joint pain, headaches and rash.⁠
⁠
Mosquito-control teams are responding with increased surveillance, inspections and targeted spraying. Orange County, for example, expanded mosquito treatments after confirming a locally acquired dengue case earlier this month.⁠
⁠
Health officials are asking residents to drain standing water around their homes, use mosquito repellent and cover exposed skin when possible.⁠
⁠
#lunionsuite #haitianamerican
Florida health officials are warning residents to protect themselves from mosquitoes as locally acquired dengue cases continue to rise across the state, with the Tampa Bay area seeing the largest increase.⁠ ⁠ Hillsborough County has become the center of the outbreak. According to the latest figures reported by the Florida Department of Health, the county reached 95 locally acquired dengue cases for the week ending September 5, compared with 59 the week before. Cases have also been reported in other parts of Florida, including Pinellas, Orange and Miami-Dade counties.⁠ ⁠ “Locally acquired” means the person was infected by a mosquito in Florida rather than while traveling outside the country. Dengue is spread through the bite of an infected mosquito and can cause fever, severe muscle and joint pain, headaches and rash.⁠ ⁠ Mosquito-control teams are responding with increased surveillance, inspections and targeted spraying. Orange County, for example, expanded mosquito treatments after confirming a locally acquired dengue case earlier this month.⁠ ⁠ Health officials are asking residents to drain standing water around their homes, use mosquito repellent and cover exposed skin when possible.⁠ ⁠ #lunionsuite #haitianamerican
2 hours ago
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2/12
Florida’s Board of Governors voted unanimously to bar students who are not lawfully present in the United States from enrolling in the state’s 12 public universities beginning with the 2027-28 academic year.⁠ ⁠ The regulation, approved without debate after earlier preliminary approval in June, applies to any university that did not admit all academically qualified applicants in the two most recent academic years. Because all 12 State University System campuses operate selective admissions, the rule effectively closes those institutions to new undocumented students. Currently enrolled students are not affected.⁠ ⁠ The university ban follows a June vote by the Florida Board of Education that already prohibited undocumented students from the state’s 28 public colleges and most adult education and GED programs. Together, the two policies shut undocumented students out of public higher education in Florida. The state now joins Alabama, Georgia, and South Carolina in imposing such restrictions.⁠ ⁠ Legislative bills that would have achieved a similar result died in committee during the 2026 session. The boards then used their rulemaking authority to adopt the limits. Lt. Gov. Jay Collins called the university rule “common sense,” saying public universities are for students who are here legally and that taxpayers should not subsidize those who “broke our laws to come here.”⁠ ⁠ Critics, including United Faculty of Florida president Robert Cassanello, described the move as overreach that closes educational doors and limits the system’s ability to educate future workers. Exact current enrollment figures for undocumented students are not published, but earlier counts of out-of-state tuition waiver users put the number at roughly 2,000 at universities and more than 4,600 at state colleges in 2024-25. Broader estimates of undocumented students in Florida higher education have been far higher.⁠ ⁠ Private universities are not covered by the rule. Online students studying from outside the United States also remain eligible. The policy takes effect for new enrollments in fall 2027.⁠ ⁠ Video Source: @Wfla⁠ #lunionsuite #haitianamerican #haitian
1 day ago
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3/12
Twenty-five years have passed, but September 11 remains a day America will never forget.⁠
⁠
On this day in 2001, 19 al-Qaeda terrorists hijacked four commercial airplanes. Two were flown into the World Trade Center towers in New York City, another struck the Pentagon in Virginia, and the fourth, United Airlines Flight 93, crashed in Pennsylvania after passengers and crew fought back. A total of 2,977 people were killed.⁠
⁠
Today, families, survivors, first responders and communities across the country are marking the 25th anniversary of 9/11 with moments of silence, memorial ceremonies, readings of victims’ names and acts of service. At Ground Zero in New York, relatives gathered once again to honor the people they lost. Commemorations are also taking place at the Pentagon and the Flight 93 site in Pennsylvania.⁠
⁠
This year's anniversary also recognizes a painful part of the tragedy that continued long after that morning. The New York ceremony added a moment of silence for people who later died from illnesses linked to exposure to toxic dust following the collapse of the Twin Towers.⁠
⁠
For a generation that was not yet born or was too young to remember September 11, the anniversary is also a reminder of why these stories continue to be told.⁠
⁠
Twenty-five years later, we remember the lives lost, the families who still carry that loss and the first responders who ran toward danger to help others. We will never forget.⁠
⁠
#lunionsuite #haitianamerican
Twenty-five years have passed, but September 11 remains a day America will never forget.⁠ ⁠ On this day in 2001, 19 al-Qaeda terrorists hijacked four commercial airplanes. Two were flown into the World Trade Center towers in New York City, another struck the Pentagon in Virginia, and the fourth, United Airlines Flight 93, crashed in Pennsylvania after passengers and crew fought back. A total of 2,977 people were killed.⁠ ⁠ Today, families, survivors, first responders and communities across the country are marking the 25th anniversary of 9/11 with moments of silence, memorial ceremonies, readings of victims’ names and acts of service. At Ground Zero in New York, relatives gathered once again to honor the people they lost. Commemorations are also taking place at the Pentagon and the Flight 93 site in Pennsylvania.⁠ ⁠ This year's anniversary also recognizes a painful part of the tragedy that continued long after that morning. The New York ceremony added a moment of silence for people who later died from illnesses linked to exposure to toxic dust following the collapse of the Twin Towers.⁠ ⁠ For a generation that was not yet born or was too young to remember September 11, the anniversary is also a reminder of why these stories continue to be told.⁠ ⁠ Twenty-five years later, we remember the lives lost, the families who still carry that loss and the first responders who ran toward danger to help others. We will never forget.⁠ ⁠ #lunionsuite #haitianamerican
1 day ago
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4/12
An ICE Air deportation flight landed in Cap-Haïtien after sunset on Thursday, returning 82 Haitian nationals. Among those on board, Haitian officials said, were two young boys: a 3-year-old U.S. citizen and a 6-year-old born in Brazil, both traveling with Haitian parents.⁠
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The plane, which originated in Alexandria, Louisiana, and made a stop at Opa-locka Executive Airport in South Florida, was hours behind schedule. Haitian authorities had prepared for a daytime arrival. Instead, the aircraft touched down after dark, long after government offices had closed and after deportees had already spent more than 13 hours in shackles, not counting flight time.⁠
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Office National de la Migration (ONM) staff who had been mobilized since morning stayed at the airport well into the night. Workers did not leave until after 2 a.m., according to accounts from the ground, because the late landing compressed screening, police checks, basic assistance, and transport into the early hours.⁠
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ONM Director General Jean Négot Bonheur Delva has previously said Haiti’s working hours for receiving returnees run from 8 a.m. to 4 p.m., and that the latest practical window for an aircraft is early afternoon because processing alone takes two to three hours. A sunset arrival, he has warned, forces overtime, extra security, and staff who traveled from Port-au-Prince to miss return flights.⁠
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Thursday’s flight is part of a weekly cadence of removals that began after the Trump administration terminated Temporary Protected Status for Haitians and the U.S. Supreme Court allowed that decision to take effect. Flights that once arrived roughly once a month now land in Cap-Haïtien almost every Thursday, because Port-au-Prince’s international airport remains too dangerous for U.S. aircraft.⁠
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Returnees typically receive a small stipend from the Haitian government, far less than the cost of a ticket or a safe overland trip toward Port-au-Prince. Many have no family in the north. The highway south remains under gang control. Some stay stranded in Cap-Haïtien with little more than the clothes issued in U.S. detention.⁠
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#lunionsuite #haitianamerican #haitian
An ICE Air deportation flight landed in Cap-Haïtien after sunset on Thursday, returning 82 Haitian nationals. Among those on board, Haitian officials said, were two young boys: a 3-year-old U.S. citizen and a 6-year-old born in Brazil, both traveling with Haitian parents.⁠ ⁠ The plane, which originated in Alexandria, Louisiana, and made a stop at Opa-locka Executive Airport in South Florida, was hours behind schedule. Haitian authorities had prepared for a daytime arrival. Instead, the aircraft touched down after dark, long after government offices had closed and after deportees had already spent more than 13 hours in shackles, not counting flight time.⁠ ⁠ Office National de la Migration (ONM) staff who had been mobilized since morning stayed at the airport well into the night. Workers did not leave until after 2 a.m., according to accounts from the ground, because the late landing compressed screening, police checks, basic assistance, and transport into the early hours.⁠ ⁠ ONM Director General Jean Négot Bonheur Delva has previously said Haiti’s working hours for receiving returnees run from 8 a.m. to 4 p.m., and that the latest practical window for an aircraft is early afternoon because processing alone takes two to three hours. A sunset arrival, he has warned, forces overtime, extra security, and staff who traveled from Port-au-Prince to miss return flights.⁠ ⁠ Thursday’s flight is part of a weekly cadence of removals that began after the Trump administration terminated Temporary Protected Status for Haitians and the U.S. Supreme Court allowed that decision to take effect. Flights that once arrived roughly once a month now land in Cap-Haïtien almost every Thursday, because Port-au-Prince’s international airport remains too dangerous for U.S. aircraft.⁠ ⁠ Returnees typically receive a small stipend from the Haitian government, far less than the cost of a ticket or a safe overland trip toward Port-au-Prince. Many have no family in the north. The highway south remains under gang control. Some stay stranded in Cap-Haïtien with little more than the clothes issued in U.S. detention.⁠ ⁠ #lunionsuite #haitianamerican #haitian
1 day ago
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5/12
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠
⁠
The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples  including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike  reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠
⁠
Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr.  Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠
⁠
The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠
⁠
#lunionsuite #haitianamerican #haitian
Tyler Perry’s long-awaited third chapter in the Why Did I Get Married? franchise is here. Why Did I Get Married Again? landed on Netflix on September 9, sending the original friend group to a lavish destination wedding on Italy’s Lake Como, and handing the next generation the keys to the same messy, familiar relationship questions their parents asked nearly two decades ago.⁠ ⁠ The story centers on Jasmine (Armani Greer), daughter of Marcus (Michael Jai White) and Angela (Tasha Smith), as she prepares to marry Wesley (Everett Osborne). The older couples including Tyler Perry as Terry, Sharon Leal as Dianne, Jill Scott as Sheila, Lamman Rucker as Troy, and Richard T. Jones as Mike reunite and quickly discover their grown children have inherited more than just their last names. Taraji P. Henson joins the series as Roselyn, Wesley’s mother. Janet Jackson’s Patricia is acknowledged but does not appear.⁠ ⁠ Among the new faces, Haitian-American actor Da’Vinchi plays Marcus Jr. Jasmine’s brother, Wesley’s best friend, and a character whose history with Regina (Sydney Winbush) adds extra heat to the wedding weekend. The role puts @Davinchi opposite Michael Jai White as his on-screen father.⁠ ⁠ The cast marked the release with a special Los Angeles screening on September 8 at Harmony Gold Preview House. Perry, Henson, White, Smith, Leal, Rucker, Jones, Greer, Osborne, Laya DeLeon Hayes, Jaden Michael, Derrick A. King, Sydney Winbush, and Da’Vinchi walked the carpet together first time many of the younger players had been seen as a group off-screen. Da’Vinchi kept it clean and understated in neutrals: brown slacks and a button-up. ⁠ ⁠ #lunionsuite #haitianamerican #haitian
1 day ago
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6/12
Why Haitian parents are so intrusive?? 😂⁠ Papa Junior checking @rankontre in the dark 😂⁠ ⁠ #lunionsuite #haitianamerican #ads
2 days ago
View on Instagram |
7/12
Naomi Osaka does not need anyone to like her clothes.
After her US Open run ended in a straight-sets loss to Elena Rybakina, a familiar wave of comments arrived: the outfits were too much, the walk-ons were a fashion show, she should just play tennis. Osaka answered the way she usually does, plainly, on her own platform, and without apology.
“You know… idgaf if you don’t like me,” she wrote. “I don’t mind being the first to do something and getting trashed for it. This happened when I talked about mental health and for some reason it’s happening with my clothes lol. I’m literally Haitian it’s in my blood to be this way, as long as the people after me have an easier path it’s worth it.”
Osaka, whose father Leonard François is from Jacmel, Haiti, and whose mother is Japanese, has spent 2026 treating Grand Slam walk-ons like a second language. At the Australian Open she arrived in a jellyfish-inspired look. At Roland Garros she layered gold sequins, trains, & jackets over her playing dress. At Wimbledon she walked out in a white kimono nodding to Kill Bill, then later wore a Haiti national team jersey after the country returned to the World Cup. In New York she paid tribute to Allen Iverson,  hooded robe, newspaper clippings from her own career, cornrows, headband, then played in black basketball-style kit.
The comparison to 2021 is not throwaway. When she skipped press at the French Open and later withdrew, citing mental health, the reaction was swift and often cruel. She kept going. Years later the conversation around athletes and mental health is different because she and others refused to stay quiet. She is applying the same logic to what she wears.
Tennis still has an unspoken uniform, clean, traditional, not too loud. Osaka keeps breaking it in public. That bothers people who think the court should look a certain way. It also opens space for younger players who want to bring their whole self, culture, hair, history, humor, onto the biggest stages without waiting for permission.
She is not asking for everyone to get it. She does not do it for the people who will never understand. She does it for the ones who look like her.
#lunionsuite #haitianamerican
Naomi Osaka does not need anyone to like her clothes.
After her US Open run ended in a straight-sets loss to Elena Rybakina, a familiar wave of comments arrived: the outfits were too much, the walk-ons were a fashion show, she should just play tennis. Osaka answered the way she usually does, plainly, on her own platform, and without apology.
“You know… idgaf if you don’t like me,” she wrote. “I don’t mind being the first to do something and getting trashed for it. This happened when I talked about mental health and for some reason it’s happening with my clothes lol. I’m literally Haitian it’s in my blood to be this way, as long as the people after me have an easier path it’s worth it.”
Osaka, whose father Leonard François is from Jacmel, Haiti, and whose mother is Japanese, has spent 2026 treating Grand Slam walk-ons like a second language. At the Australian Open she arrived in a jellyfish-inspired look. At Roland Garros she layered gold sequins, trains, & jackets over her playing dress. At Wimbledon she walked out in a white kimono nodding to Kill Bill, then later wore a Haiti national team jersey after the country returned to the World Cup. In New York she paid tribute to Allen Iverson,  hooded robe, newspaper clippings from her own career, cornrows, headband, then played in black basketball-style kit.
The comparison to 2021 is not throwaway. When she skipped press at the French Open and later withdrew, citing mental health, the reaction was swift and often cruel. She kept going. Years later the conversation around athletes and mental health is different because she and others refused to stay quiet. She is applying the same logic to what she wears.
Tennis still has an unspoken uniform, clean, traditional, not too loud. Osaka keeps breaking it in public. That bothers people who think the court should look a certain way. It also opens space for younger players who want to bring their whole self, culture, hair, history, humor, onto the biggest stages without waiting for permission.
She is not asking for everyone to get it. She does not do it for the people who will never understand. She does it for the ones who look like her.
#lunionsuite #haitianamerican
Naomi Osaka does not need anyone to like her clothes.
After her US Open run ended in a straight-sets loss to Elena Rybakina, a familiar wave of comments arrived: the outfits were too much, the walk-ons were a fashion show, she should just play tennis. Osaka answered the way she usually does, plainly, on her own platform, and without apology.
“You know… idgaf if you don’t like me,” she wrote. “I don’t mind being the first to do something and getting trashed for it. This happened when I talked about mental health and for some reason it’s happening with my clothes lol. I’m literally Haitian it’s in my blood to be this way, as long as the people after me have an easier path it’s worth it.”
Osaka, whose father Leonard François is from Jacmel, Haiti, and whose mother is Japanese, has spent 2026 treating Grand Slam walk-ons like a second language. At the Australian Open she arrived in a jellyfish-inspired look. At Roland Garros she layered gold sequins, trains, & jackets over her playing dress. At Wimbledon she walked out in a white kimono nodding to Kill Bill, then later wore a Haiti national team jersey after the country returned to the World Cup. In New York she paid tribute to Allen Iverson,  hooded robe, newspaper clippings from her own career, cornrows, headband, then played in black basketball-style kit.
The comparison to 2021 is not throwaway. When she skipped press at the French Open and later withdrew, citing mental health, the reaction was swift and often cruel. She kept going. Years later the conversation around athletes and mental health is different because she and others refused to stay quiet. She is applying the same logic to what she wears.
Tennis still has an unspoken uniform, clean, traditional, not too loud. Osaka keeps breaking it in public. That bothers people who think the court should look a certain way. It also opens space for younger players who want to bring their whole self, culture, hair, history, humor, onto the biggest stages without waiting for permission.
She is not asking for everyone to get it. She does not do it for the people who will never understand. She does it for the ones who look like her.
#lunionsuite #haitianamerican
Naomi Osaka does not need anyone to like her clothes. After her US Open run ended in a straight-sets loss to Elena Rybakina, a familiar wave of comments arrived: the outfits were too much, the walk-ons were a fashion show, she should just play tennis. Osaka answered the way she usually does, plainly, on her own platform, and without apology. “You know… idgaf if you don’t like me,” she wrote. “I don’t mind being the first to do something and getting trashed for it. This happened when I talked about mental health and for some reason it’s happening with my clothes lol. I’m literally Haitian it’s in my blood to be this way, as long as the people after me have an easier path it’s worth it.” Osaka, whose father Leonard François is from Jacmel, Haiti, and whose mother is Japanese, has spent 2026 treating Grand Slam walk-ons like a second language. At the Australian Open she arrived in a jellyfish-inspired look. At Roland Garros she layered gold sequins, trains, & jackets over her playing dress. At Wimbledon she walked out in a white kimono nodding to Kill Bill, then later wore a Haiti national team jersey after the country returned to the World Cup. In New York she paid tribute to Allen Iverson, hooded robe, newspaper clippings from her own career, cornrows, headband, then played in black basketball-style kit. The comparison to 2021 is not throwaway. When she skipped press at the French Open and later withdrew, citing mental health, the reaction was swift and often cruel. She kept going. Years later the conversation around athletes and mental health is different because she and others refused to stay quiet. She is applying the same logic to what she wears. Tennis still has an unspoken uniform, clean, traditional, not too loud. Osaka keeps breaking it in public. That bothers people who think the court should look a certain way. It also opens space for younger players who want to bring their whole self, culture, hair, history, humor, onto the biggest stages without waiting for permission. She is not asking for everyone to get it. She does not do it for the people who will never understand. She does it for the ones who look like her. #lunionsuite #haitianamerican
3 days ago
View on Instagram |
8/12
Soca king Machel Montano paused the party long enough to speak directly to Haitian fans.⁠ ⁠ In a clip circulating from a recent live show, the Trinidad and Tobago star is onstage in a Statue of Liberty tank, mic in hand, working the crowd under purple lights. Then he switches gears. He calls out Haiti, talks about love, and works through Kreyol as the audience rides with him. ⁠ ⁠ The moment fits how Montano has been talking about the region this year. In interviews around his documentary Like Ah Boss: Journey of a Soca King and the Encore tour, he has argued that soca’s next chapter is Caribbean unity Haiti and Cuba included because the music already shares a pulse. Onstage, that idea becomes simpler: greet the people in the room.⁠ ⁠ Montano has spent four decades turning carnival stages into meeting places from Madison Square Garden as a child opener to Road March records and packed U.S. dates. This clip is short. What travels is the gesture: Haiti named, Creole attempted, love said out loud, and the show kept moving.⁠ ⁠ 🎥 @RumAndMusic⁠ #lunionsuite #haitianamerican #haitian #culture #caribbean
3 days ago
View on Instagram |
9/12
After a video of shackled deportees set to a Haitian song sparked fury across the community, Homeland Security’s official account is back, this time telling Haitian doctors and lawyers that $3,000 is “an entrepreneur’s dream.”⁠
⁠
They heard the community. They saw the reaction. Then they posted again.⁠
⁠
On Tuesday, the official Department of Homeland Security account addressed Haitian doctors, lawyers, scholars, and engineers by name and told them to “imagine what you could do with $3000 in Haiti.” It called the stipend “an entrepreneur’s dream,” linked the CBP Home self-deportation page, and quoted a New York Times headline about deportees arriving in Cap-Haïtien broke and stranded.⁠
⁠
That is not a policy explainer. That is a punchline built on other people’s ruin. Less than two weeks earlier, the same agency posted a video of Black men in shackles and waist chains being walked onto a deportation flight. The footage was set to a Haitian song. On-screen text read: “Temporary Meant Temporary. Leave Now.” Community leaders called it reprehensible and dehumanizing. Pastors said they could not sleep. Families recognized the message immediately: this is how we will treat you, and we will film it.⁠
⁠
Every time Haitians object, to the end of TPS, to weekly flights into a country the State Department still warns Americans not to visit, to children on those planes, to people landing with government sweatpants and almost no cash, the official account answers with another taunt. $2,600. Then $3,000. “Closing time.” “Leave now.” “Entrepreneur’s dream.” The more the community names the humiliation, the more the messaging leans into it.⁠
⁠
That is the pattern. Not a one-off post. A strategy.⁠
⁠
The Times reporting DHS chose to quote is not satire. Deportees have been arriving in Cap-Haïtien weekly. Some say valuables vanished in transit. Haitian authorities have been giving adults the equivalent of about $80. People who worked in hospitals, drove, taught, and paid taxes in the United States are marooned in a city many of them do not know, with no safe way home. DHS looked at that and wrote a joke about starting a business.⁠
⁠
#lunionsuite #haitianamerican
After a video of shackled deportees set to a Haitian song sparked fury across the community, Homeland Security’s official account is back, this time telling Haitian doctors and lawyers that $3,000 is “an entrepreneur’s dream.”⁠
⁠
They heard the community. They saw the reaction. Then they posted again.⁠
⁠
On Tuesday, the official Department of Homeland Security account addressed Haitian doctors, lawyers, scholars, and engineers by name and told them to “imagine what you could do with $3000 in Haiti.” It called the stipend “an entrepreneur’s dream,” linked the CBP Home self-deportation page, and quoted a New York Times headline about deportees arriving in Cap-Haïtien broke and stranded.⁠
⁠
That is not a policy explainer. That is a punchline built on other people’s ruin. Less than two weeks earlier, the same agency posted a video of Black men in shackles and waist chains being walked onto a deportation flight. The footage was set to a Haitian song. On-screen text read: “Temporary Meant Temporary. Leave Now.” Community leaders called it reprehensible and dehumanizing. Pastors said they could not sleep. Families recognized the message immediately: this is how we will treat you, and we will film it.⁠
⁠
Every time Haitians object, to the end of TPS, to weekly flights into a country the State Department still warns Americans not to visit, to children on those planes, to people landing with government sweatpants and almost no cash, the official account answers with another taunt. $2,600. Then $3,000. “Closing time.” “Leave now.” “Entrepreneur’s dream.” The more the community names the humiliation, the more the messaging leans into it.⁠
⁠
That is the pattern. Not a one-off post. A strategy.⁠
⁠
The Times reporting DHS chose to quote is not satire. Deportees have been arriving in Cap-Haïtien weekly. Some say valuables vanished in transit. Haitian authorities have been giving adults the equivalent of about $80. People who worked in hospitals, drove, taught, and paid taxes in the United States are marooned in a city many of them do not know, with no safe way home. DHS looked at that and wrote a joke about starting a business.⁠
⁠
#lunionsuite #haitianamerican
After a video of shackled deportees set to a Haitian song sparked fury across the community, Homeland Security’s official account is back, this time telling Haitian doctors and lawyers that $3,000 is “an entrepreneur’s dream.”⁠ ⁠ They heard the community. They saw the reaction. Then they posted again.⁠ ⁠ On Tuesday, the official Department of Homeland Security account addressed Haitian doctors, lawyers, scholars, and engineers by name and told them to “imagine what you could do with $3000 in Haiti.” It called the stipend “an entrepreneur’s dream,” linked the CBP Home self-deportation page, and quoted a New York Times headline about deportees arriving in Cap-Haïtien broke and stranded.⁠ ⁠ That is not a policy explainer. That is a punchline built on other people’s ruin. Less than two weeks earlier, the same agency posted a video of Black men in shackles and waist chains being walked onto a deportation flight. The footage was set to a Haitian song. On-screen text read: “Temporary Meant Temporary. Leave Now.” Community leaders called it reprehensible and dehumanizing. Pastors said they could not sleep. Families recognized the message immediately: this is how we will treat you, and we will film it.⁠ ⁠ Every time Haitians object, to the end of TPS, to weekly flights into a country the State Department still warns Americans not to visit, to children on those planes, to people landing with government sweatpants and almost no cash, the official account answers with another taunt. $2,600. Then $3,000. “Closing time.” “Leave now.” “Entrepreneur’s dream.” The more the community names the humiliation, the more the messaging leans into it.⁠ ⁠ That is the pattern. Not a one-off post. A strategy.⁠ ⁠ The Times reporting DHS chose to quote is not satire. Deportees have been arriving in Cap-Haïtien weekly. Some say valuables vanished in transit. Haitian authorities have been giving adults the equivalent of about $80. People who worked in hospitals, drove, taught, and paid taxes in the United States are marooned in a city many of them do not know, with no safe way home. DHS looked at that and wrote a joke about starting a business.⁠ ⁠ #lunionsuite #haitianamerican
4 days ago
View on Instagram |
10/12
Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. 
Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation.
Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six.
Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section.
She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis.
A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment.
📸 @missworld @mariekemlynefelix
#lunionsuite #haitianamerican
Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. 
Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation.
Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six.
Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section.
She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis.
A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment.
📸 @missworld @mariekemlynefelix
#lunionsuite #haitianamerican
Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. 
Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation.
Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six.
Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section.
She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis.
A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment.
📸 @missworld @mariekemlynefelix
#lunionsuite #haitianamerican
Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. 
Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation.
Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six.
Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section.
She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis.
A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment.
📸 @missworld @mariekemlynefelix
#lunionsuite #haitianamerican
Miss World 2026 closed September 5 in Nha Trang, Vietnam, with the Dominican Republic’s Joheirry Mola taking the crown. Haiti left with something the scoreboard does not measure: a first from Jérémie, a purpose-driven project recognized on the world stage, and a month of representation that put Haitian women at the center of the conversation. Marie Kemlyne Lestalie Félix, 25, is the first woman from Jérémie to hold the Miss World Haiti title. She did not advance into the official Top 40 on coronation night. What Miss World itself highlighted was her place among the six Beauty With a Purpose finalists for the Americas and Caribbean, alongside Belize, French Guiana, Guatemala, Paraguay, and Venezuela. Belize’s Faith Edgar won the continental BWAP title and used that fast-track into the Top 40. Félix’s work still stood in that regional final six. Her project, Inspire-Toi d’Elles (“Inspire Yourself from Them”), founded in 2023, is built on a simple idea: Haitian women and girls need living examples, not slogans. Through monthly gatherings, mentoring conversations, writing workshops, and visibility for women already building careers and businesses, the initiative has brought more than 150 women and girls into the same room with mentors. The line she carried through the competition “Si elles l’ont fait, nous pouvons aussi” was the heart of her pitch. On the Head-to-Head stage in Vietnam she spoke plainly about being judged for her appearance, her skin, her origins, and limited resources, and about building the space she once needed as a girl from a communal section. She used the month in Vietnam the way Miss World is meant to be used: fashion, culture, and community as one package. She walked the opening and Top Model events, including the Vietnam Beauty Fashion Fest, and carried Haitian identity into a competition that too often notices Haiti only when the headlines are about crisis. A crown is one night. What she brought home is the work, the first for Jérémie, and a reminder that representation is already an accomplishment. 📸 @missworld @mariekemlynefelix #lunionsuite #haitianamerican
4 days ago
View on Instagram |
11/12
Authorities in the Turks and Caicos Islands intercepted an overcrowded vessel carrying 207 migrants, including Haitian nationals, early Monday, September 7, as it attempted to reach the British overseas territory. Officials said the passengers were brought ashore safely and transferred to immigration authorities for processing.⁠
⁠
The operation followed another interception on September 2, when the Royal Turks and Caicos Islands Police Force stopped a vessel carrying 171 migrants near Northwest Point, Providenciales. Police said coastal radar detected the boat before it could make landfall. Marine Branch officers escorted the passengers to South Dock and handed them over to the Turks and Caicos Islands Border Force.⁠
⁠
A third vessel was stopped near the Bahamas on September 3. The Royal Bahamas Defence Force reported finding 146 Haitian migrants  111 men, 30 women, two boys and three girls  aboard a 45-foot boat about 17 miles northeast of Great Inagua. The passengers were taken to Matthew Town for processing. Together, the three operations account for 524 migrants intercepted in the region since September 2.⁠
⁠
Turks and Caicos police had already reported approximately 1,075 migrants intercepted aboard eight vessels in 2026 before Monday’s operation. Authorities have not yet released a detailed breakdown of the 207 passengers or announced their next steps.⁠
⁠
The latest intercepts come as Haitians continue attempting dangerous maritime crossings amid insecurity, economic hardship and limited opportunities at home. Regional forces have repeatedly warned that overloaded boats remain a serious risk to life at sea, even as they report that recent groups were brought ashore without reported casualties.⁠
⁠
#lunionsuite #haitianamerican #haitian
Authorities in the Turks and Caicos Islands intercepted an overcrowded vessel carrying 207 migrants, including Haitian nationals, early Monday, September 7, as it attempted to reach the British overseas territory. Officials said the passengers were brought ashore safely and transferred to immigration authorities for processing.⁠ ⁠ The operation followed another interception on September 2, when the Royal Turks and Caicos Islands Police Force stopped a vessel carrying 171 migrants near Northwest Point, Providenciales. Police said coastal radar detected the boat before it could make landfall. Marine Branch officers escorted the passengers to South Dock and handed them over to the Turks and Caicos Islands Border Force.⁠ ⁠ A third vessel was stopped near the Bahamas on September 3. The Royal Bahamas Defence Force reported finding 146 Haitian migrants 111 men, 30 women, two boys and three girls aboard a 45-foot boat about 17 miles northeast of Great Inagua. The passengers were taken to Matthew Town for processing. Together, the three operations account for 524 migrants intercepted in the region since September 2.⁠ ⁠ Turks and Caicos police had already reported approximately 1,075 migrants intercepted aboard eight vessels in 2026 before Monday’s operation. Authorities have not yet released a detailed breakdown of the 207 passengers or announced their next steps.⁠ ⁠ The latest intercepts come as Haitians continue attempting dangerous maritime crossings amid insecurity, economic hardship and limited opportunities at home. Regional forces have repeatedly warned that overloaded boats remain a serious risk to life at sea, even as they report that recent groups were brought ashore without reported casualties.⁠ ⁠ #lunionsuite #haitianamerican #haitian
4 days ago
View on Instagram |
12/12